MUSIC

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music

00:06

CODEX003

Digital plants laboratory based on the work of Luigi Serafini.

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02:18

ANAÏS MVA - 24 Février

Productrice: Agnès Boulard Coordinateur de Production: Matthieu Fusil Assistant de Production: Maël Dufossé 1er Assistant Réalisateur Jacques Mady Directeur de la photographie: Piotr Lebryk 1er Assistant opérateur: Henri Cosson Chef électricien: Ulysse Branchereau Electricienne: Philomène le Palud Electricien: Luc Desprez Chef Machiniste: Jean Le Gouill Machiniste: Lucas Detry Set Designer: System F Make Up Artist: Julie Coone Assistante make up: Lea Villalobos Styliste: Roxane Noel 1er Assistante styliste: Anais N’Diaye 2nd Assistant styliste: Maël Charton Régisseur Général: Mathurin Pezon Régisseur Adjoint: Hughues Lequippe Assistant Régie: Kevin Ozcan Assistant Régie: Clement Chouleur Monteur: Morgan Mirza Assistant monteur: Aymerick Le Bouquin VFX: Infinite_VFX / LLLL studio Etalonneuse: Inès Henry-Manceau Assistant étalonneur: Alexandre Queyrous

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music

03:53

Mushkaa, Bad Gyal - SexeSexy

Directors @souto___ @jordilops Editor @jordilops Producer @paulafarelo DOP @puxxoo Stylist Mushkaa @bertapermanyeer Stylist Bad Gyal @albamelendo Bad Gyal HMU @venusplastik Colorist @juliarossetticolor Graphics @cesarxce Focus Puller @lecucu_ 2 AC @miquelpons.jpg Gaffer @nicolau.alvarez Photographers @natalia.cornudella Production Assistant @janaguanyabens Stylist Assistant @hugolatorrer Costurera: @cuchifritta Runners @queeeeeeeel @rogeergrau_ @gatafreda

04

music

04:48

Depeche Mode - People Are Good

1st AD: Chris Kelly Location Manager: Mike Glynn Production Manager: Milo Beyts Casting Director: Leann Flinn Movement Director: Mikey Boateng Stylist: Ellie Walker HMUA: Dasha Taivas Grip: Jem Morton Phantom Operator: Jason Berman Edit House: Stitch Post Production: Black Kite VFX Lead: Jack Stone Directors Rep: Joceline Gabriel, Camille Semprez Creative Director: Anton Corbijn Columbia Records: Saul Levitz

05

music

04:37

Justice - Neverender (Starring Tame Impala)

Made with electric signal on a 1981 oscilloscope

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music

03:42

Daft Punk - Harder, Better, Faster, Stronger

07

music

03:32

BELLBOY - La neige

Aide à l'animation Laura Passalacqua Tamerlan Bekmurzayev Simon Cadilhac Produit par Remembers

08

music

03:49

KREAM - Arrakis

09

music

02:24

((( 0 ))) - 42

10

music

03:48

Max Cooper - Cardano Circles

Warning: Contains flashing images Max Cooper: Recently I was asked to make a new live show based around Italy for a festival with that theme, so I delved into some historic Italian music and science for the Seme (Seed) project. One idea I came across was Gerolamo Cardano’s “Cardano Circles” system from around 1570. I love how it continuously turns straight lines into circles (it was part of early printing press technology). I wanted to present variants of this idea and started chatting to animator / coder Mario Carrillo about a video sequence, while I also came up with a musical interpretation. The music was an attempt at a simple beautiful system in line with the basic visual system we were working with. When the music was ready Mario took the visuals into beautiful new realms building on the initial idea, and we chatted a lot about how to connect his various visual systems to the Cardano Circles, and provide lots of opportunity for getting lost in some beautiful emergent abstraction. So yeah, that’s it for this one, I hope you enjoy it, thanks for having a look and a listen as always. Video artist: Mario Carrillo The concept known as “Cardano Circles”, named after the Italian mathematician Gerolamo Cardano, involves arranging circles in a straight line, each at varying angles, and traversing this alignment at different phases. Depending on the number of circles and the phase angle, this mechanism results in circular motion emerging from what would otherwise be linear movement.This simple and yet elegant concept evolved into a visual system designed to explore the aesthetic possibilities inherent in the idea. What if motion and color persist over time, giving rise to new emergent forms? What if varying the phase angle produces shapes beyond circles? And what if these circles were arranged in a grid rather than a Cardano system, numbering in the tens of thousands that swarm new patterns? The sequence unfolds, at times echoing the Cardano motif, to remind us of the foundational structure from which everything stems. Cardano Circles is a fusion of music, technology, and mathematics to craft a captivating abstraction of an age-old mechanical concept. It was a pleasure to work in synergy with Max as we blended our ideas throughout the process — we sincerely hope you find as much joy in experiencing it as we did in creating it.

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music

03:00

Kings Of Leon - Nothing To Do

Produced and Directed by Kings of Leon and Casey McGrath. Shot by Caleb Followill.

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02:27

FAMAS - FREESTYLE MARASSE

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Nemahsis - i wanna be your right hand

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Gaffer: Ryan Hernandez Key Grip: TJ Richardson 1st AC: Matt Veen 2nd AC: @tom_wood_photo Styling and Makeup Assist: @lil.sweeets3 Set Dresser: @x.karilyn Coordinator: @chi____ara Best Boy: Tarek Smith Best Boy Grip: Sean Correia Swing: Michael Torelli Swing: Kristoff Gallimore BTS: @cruz.shipp Production Assistant: @lawraines Production Assistant: Hayden Gallagher Office PA: @tothcommajulianna

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Amy is a director and choreographer whose work spans across film, television, live performance, multimedia production and branded content. Her projects often fuse a cinematic approach with bold and raw movement based storytelling. Her creative process stems from a strong technical background and a professional dance career that began in the concert world. Her extensive training in ballet, contemporary , jazz, tap, hip hop and musical theatre have founded her idiosyncratic style. Over the past decade, she has been creatively fueled by a variety of acting techniques and structured improvisation exercises which have prompted an evocative energy to her kinetic creations. Amy is an internationally renowned guest teacher and choreographer and is also the artist director of annoDAM Dance, her non-for-profit company. She was born in Canada and is currently based in NYC.

Colossale was established in a generation of digital natives whose defining moment was becoming lost in a world of film, television, and videos. Instead of remaining a complacent consumer, Colossale emerged with the objective of ushering in a new age of ambitious visual projects. At Colossale we deliver defiant truth in an industry of fake smiles and soft handshakes. We are devoted to upholding the best and most visually refined products with the goal of resonating indefinitely.

Dialla Kawar is a production designer based in Toronto. She works in all genres and mediums of film including feature films, television, commercials, and music videos. Dialla graduated from the School of Image Arts at Ryerson University with Bachelor of Fine Arts with a specialization in Film Studies.

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