Marie Noreger & Nedja - Lonely Dinosaur (Official Lyric Video)




Metteson - Look To A Star

Director: Metteson Co-director: Sondre Røe Producer: Røe Studio DOP: Marius Aaserud Choreography: Ole Kristian Tangen Styling and concept: Metteson Makeup: Katarina Fedøy Post: Erik Treimann (ONZONZ) Grade: Didrik Bråthen (TMLS) Dancers: Ole Kristian Tangen and Even Eileraas Gaffer: Leif Kristian Karlsen Bestboy: Bengt Simonsen Electricians: Petter Brenni & Jacob Lundberg 1AC: Lisa Wiik 2AC: Mathilde Kollandsrud Props: Mira Landa & Anniken Larssen Equipment: Storyline Studios Studio: Nina Heidenreich (Filmparken) Including costumes by Friedrich Floen and Antti Bjørn Special thanks to Ina Christel Johannessen




Delara - Kalash (Acoustic Performance Video)




Laufey - Goddess

Starring Laufey and Will Gao Produced by Iconoclast Co-Produced by LFR Director’s Rep: Cheyenne Shannon, Jamie Rabineau @ Lark Creative Executive Producer: Francesco Colombo Founder / MD LFR: Luigi Rossi Line Producer: Raven Jensen Production Manager: Lucy Rennick 1st AD: Laura Klein Creative Director: Junia Lin Video Commissioner: Bianca Bhagat Label: AWAL Management: Max Gredinger for Foundations Day-to-Day Management: Jackie Karlsson for Foundations Director of Photography: Daniel Bouquet 1st AC: Arjun Bajaj 2nd AC: Lucy Moloney Film Loader: Josh Bote Gaffer: Omar Nasr Best/Swing: Agustina Biasurro Best/Swing: Alexander Key Grip: Bill Hilferty Best Boy Grip: Jon Mendez Production Designer: Madison Hatch Art Director: Taja Feistner Set Decorator: Steven Killian Picture Car Driver: Besim Tahiri Art PA: Abe Alawi Stylist: Britt Theodora Stylist Assistant: Alexandra Crown Key HMUA: Abby Berni Assistant HMUA: Ashtyn Thurber Add'l HMUA: Lauren Citera Editor: Carla Luff @ Cabin Edit Cabin Producer: Linden Carty Colorist: Sofie Borup @ Company 3 Company 3 Producer: Shannen Troup Sound Design/ Sound Mix: Jeremy Emery Locations Manager: Matthew Dipple Set PA: Spencer Strickland Set PA: Ashley Christopher Leach Truck PA: Ainsley Samuda Truck PA Ridealong: Owen Palmer Sound Op: Catherine Hood BTS: Katherine Gouged




Dora Jar - She Loves Me




Peach Fuzz - What Do You Want From This?




JW Francis - Pretending




Plum - With You




Rumania - Imán & Cósima

Dirección de fotografía y color: Ivan Palazzo Caputo Asistente de dirección: Ezequiel Raad Asistente de cámara: Ramiro Gossn Foto fija: Fiona Saftich Diseño de tapa: Cósima Fricke Maquillaje: Makeup by Tiago Vestuario: Miuki Madelaire





Digital plants laboratory based on the work of Luigi Serafini.




ANAÏS MVA - 24 Février

Productrice: Agnès Boulard Coordinateur de Production: Matthieu Fusil Assistant de Production: Maël Dufossé 1er Assistant Réalisateur Jacques Mady Directeur de la photographie: Piotr Lebryk 1er Assistant opérateur: Henri Cosson Chef électricien: Ulysse Branchereau Electricienne: Philomène le Palud Electricien: Luc Desprez Chef Machiniste: Jean Le Gouill Machiniste: Lucas Detry Set Designer: System F Make Up Artist: Julie Coone Assistante make up: Lea Villalobos Styliste: Roxane Noel 1er Assistante styliste: Anais N’Diaye 2nd Assistant styliste: Maël Charton Régisseur Général: Mathurin Pezon Régisseur Adjoint: Hughues Lequippe Assistant Régie: Kevin Ozcan Assistant Régie: Clement Chouleur Monteur: Morgan Mirza Assistant monteur: Aymerick Le Bouquin VFX: Infinite_VFX / LLLL studio Etalonneuse: Inès Henry-Manceau Assistant étalonneur: Alexandre Queyrous




Mushkaa, Bad Gyal - SexeSexy

Directors @souto___ @jordilops Editor @jordilops Producer @paulafarelo DOP @puxxoo Stylist Mushkaa @bertapermanyeer Stylist Bad Gyal @albamelendo Bad Gyal HMU @venusplastik Colorist @juliarossetticolor Graphics @cesarxce Focus Puller @lecucu_ 2 AC @miquelpons.jpg Gaffer @nicolau.alvarez Photographers @natalia.cornudella Production Assistant @janaguanyabens Stylist Assistant @hugolatorrer Costurera: @cuchifritta Runners @queeeeeeeel @rogeergrau_ @gatafreda

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Max Cooper - Cardano Circles


Warning: Contains flashing images Max Cooper: Recently I was asked to make a new live show based around Italy for a festival with that theme, so I delved into some historic Italian music and science for the Seme (Seed) project. One idea I came across was Gerolamo Cardano’s “Cardano Circles” system from around 1570. I love how it continuously turns straight lines into circles (it was part of early printing press technology). I wanted to present variants of this idea and started chatting to animator / coder Mario Carrillo about a video sequence, while I also came up with a musical interpretation. The music was an attempt at a simple beautiful system in line with the basic visual system we were working with. When the music was ready Mario took the visuals into beautiful new realms building on the initial idea, and we chatted a lot about how to connect his various visual systems to the Cardano Circles, and provide lots of opportunity for getting lost in some beautiful emergent abstraction. So yeah, that’s it for this one, I hope you enjoy it, thanks for having a look and a listen as always. Video artist: Mario Carrillo The concept known as “Cardano Circles”, named after the Italian mathematician Gerolamo Cardano, involves arranging circles in a straight line, each at varying angles, and traversing this alignment at different phases. Depending on the number of circles and the phase angle, this mechanism results in circular motion emerging from what would otherwise be linear movement.This simple and yet elegant concept evolved into a visual system designed to explore the aesthetic possibilities inherent in the idea. What if motion and color persist over time, giving rise to new emergent forms? What if varying the phase angle produces shapes beyond circles? And what if these circles were arranged in a grid rather than a Cardano system, numbering in the tens of thousands that swarm new patterns? The sequence unfolds, at times echoing the Cardano motif, to remind us of the foundational structure from which everything stems. Cardano Circles is a fusion of music, technology, and mathematics to craft a captivating abstraction of an age-old mechanical concept. It was a pleasure to work in synergy with Max as we blended our ideas throughout the process — we sincerely hope you find as much joy in experiencing it as we did in creating it.


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