#LONDON

01

art

03:06

Bon - Pantheon - Flora 4k

"We wanted to create a record using samples from recordings we created ourselves that were calm, romantic and had a natural, timeless feel. Something weathered and low-fi, but Hi-Fi and complete all at the same time. Something with the spirit of a well-loved worn-out cassette but using cutting edge production techniques. Hiss, noise and distortion are all treated here as instruments in these compositions. Asking the questions "What is quality, perfection and character and what do these words mean to us". We took our own recordings and manipulated them, letting them evolve through the technology, reflecting the cyclical and evolutionary nature of all creative processes."

02

music

03:27

The Beatles - Revolution

03

music

03:42

Jamie xx - Baddy On The Floor feat. Honey Dijon

04

music

02:14

Lynks - TENNIS SONG

SFX and Headpiece: Luke Slyka Runner: Edward Whitlock

05

music

03:17

Porij - Unpredictable

Gaffer: Jasper Clarkson @jasperclarkson Stylist: Zoe Frost @fr0st18 Stylist Assistant: Kyla Weldon @kyla_wel.donnn Commissioner: Roisin Page / PIAS @roisinpage @pias Management: Chris Bellam / Underplay Management @u_n_d_e_r_p_l_a_y BTS: Siân Blewitt @srlb

06

fashion

16:15

DI PETSA AW24 The Body as Prayer Runway Film

The Body as Prayer presented at London Fashion Week February 2024. DI PETSA is womenswear label by Greek designer Dimitra Petsa, centred on inter-disciplinary foundations, combining slow fashion couture practices, with performance art and film. The brand has evolved from the designer’s eco-feminist research project “Wetness” that deconstructs feelings of shame surrounding the female experience and our bodily fluids – water filtered through bodies – bodily water. The signature style “The Wetlook” is an original fabric technique, draped and sewn by hand to mimic ripples of water across the body. Traditional Greek embroidery techniques are preserved and h

07

music

05:41

Harry Styles - Sign of the Times

08
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fashion

01:00

Danshan's Apollo Jumper in action

Danshan stands for a more progressive and accepting world. The Apollo Jumper (black) seen here is knitted, which is eco-friendly especially compared with cut and sew. The beauty of this knit is it can be unraveled and return to yarn state to be recycled into another composition.

09

music

03:39

Stormzy - Crown

Pianist: MJ Cole Focus Puller: Benjamin Smith 2nd AC: Cameron Axsel Steadicam: Will Lyte Gaffer: Kieran Brown Sparks: Sanjay Mistry & Gareth Crockford Runners: Olivia Ferrara & Eleri Shone MUA (Cast): Reena Bass Stormzy Styling: Melissa Holdbrook-Akposoe Stormzy Grooming: Shiv

10

music

05:25

Bat For Lashes - The Dream of Delphi

11
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art

01:00

Excavation Site

In march 2020, visual artist AP Nguyen came back home to Hanoi, Vietnam, in order to avoid the virus in the UK. Having little means of production and context for making conceptual art, she turned to clay and decided to learn a completely new craft. At first, she struggled to navigate the world of Vietnamese pottery- with all of its mystery and village secrecy. But over the months, she came to befriend and gain the trust of a Bát Tràng family who lets her use their family kiln and even their safely-guarded glaze recipes.

12

music

04:39

Vegyn - A Dream Goes On Forever (feat. John Glacier)

Starring Tishainy @tishainyconstancia

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music

Sheku Kanneh-Mason: Tiny Desk Concert

Youtube

One measure of an artist’s popularity is how long it takes to book them for a Tiny Desk concert. In the case of British cellist Sheku Kanneh-Mason, it took about three years. Granted, the pandemic got in the way, but ever since his 2018 breakthrough performance at the wedding of Prince Harry and Meghan Markle, Duchess of Sussex, he’s been -- needless to say -- in demand. Nearly 2 billion people worldwide saw his royal performance on television. At the Tiny Desk, Kanneh-Mason played for only a handful of NPR staffers, and the performance felt like a direct communication from his luminous cello (built in 1700) to our heartstrings. It was especially true in Kanneh-Mason’s own arrangement of “Myfanwy,” the mournful Welsh folk song the cellist first heard from his grandmother. Accompanying himself with left hand pizzicato, Kanneh-Mason makes his instrument sing like a sad old Welshman with a tear in his eye.

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