MUSIC

01

music

02:01

Bb trickz - Paso

02

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03:38

St. Vincent - Broken Man

03

music

02:58

Danny Brown - Y.B.P. (feat. Bruiser Wolf)

Production Manager - Anna Butler

04

music

02:58

ATARDE - muschio

Montaggio: Luca Giraudo, Filippo Scimone Color: Luca Giraudo Graphic design: Massimo Dubbini Grazie agli abitanti del lunapark per l’entusiasmo e l’accoglienza.

05

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03:09

JAWNY - Running

06

music

09:58

Tamango - Sirene e Pirati

Attori: Helena Grompone, Simone Federico, Luigi Bevilacqua Comparse: Jacopo Gargioni, Stefano Jacini, Gabriele Sarfatti, Filippo Scimone Con la voce di: Francesca Silveri Produzione: Manfredi Maida Mix e master: Andrea Mogni "Mixbypunch" Ci teniamo a ricordare chi ha ispirato, sostenuto e vissuto questo progetto. Ringraziamo in particolare:

07

music

03:14

Saint Levant - Deira ft. MC Abdul

Director: Mattias Russo-Larsson Creative Director: Lewis Atallah 2048: Executive Producer: Rashid Abelhamid Creative Director: Pedro Damasceno Research & Development: Sarra Alayyan Line Producer: Faris Halaseh Production Manager: Luma Al-Hamarneh PA/ Runner: Thaer Amireh Coordinator: Ahmad Shamroukh Coordinator: Sally Hijazeen Director of Photography: Melisse Riahi Camera Operator: Guido Raimondo 1st AC: Christopher Reynders 1st AD: Leen Hamarneh Set PA: Elias Shaheen Set PA: Nizar Jana Set PA: Amer Al Sarhan Edit & Color: Mattias Russo-Larsson DIT / “Making-of” BTS: Mohammad Almughanni Gaffer: Khaleel Qopti (Mario) Best boy: Aboud AlGaisi Key Grip: Alaa Sameer Best Boy Grip: Myassar Khalid Hair & Makeup Artist: Laura Madar H&M Assistant: Liana Qawasmi Styling: Tintein Studio (Aisha Khalaf & Muna Khalaf) Wardrobe Assistant: Jude Baloula Production Designer: Yasmine Nassar Construction: Mohammad Qadi Construction: Abdelqader Haddad Set Dresser: Ahmad Nawarseh Art PA: Rami Salameh BTS Photos: Pedro Damasceno “Under Every Rock” poem author and voice: Saja Kilani Intro Oud: Nazim Bakour Driver 1: Rashid Alzghoul Driver 2: Umar Elzeghoul Driver 3: Ashraf Alzghoul Locations Manager: Abood Abu Jaafar Fixer: Mahmoud Al Nasser Locations Assistant: Nusir Alamayreh Stunt Coordinator/ Biker: Ruba Nimer Unit Supervisor: Ahmad Shihdeh Unit Labour 1: Ahmad Abu Gharib Unit Labour 2: Naser Abu Gharib Unit Labour 3: Motasem Abu Gharib Unit Labour 4: Adnan AlAzzeh 2048 Studio Team: Creative Director: Pedro Damasceno Research & Development: Sarra Alayyan Art Director & Designer: Nada Sultan Designer: Michael Lewis

08

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03:50

Jamie xx - LET'S DO IT AGAIN (Lyric Video)

09

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05:41

Harry Styles - Sign of the Times

10

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04:58

Fred again.. & Lil Yachty & Overmono - stayinit

PRODUCTION COORDINATOR - ADINA ALTERMAN @adinamalterman PRODUCTION ASSISTANT - ELI BEUTEL @eli.beutel PRODUCTION ASSISTANT - NICK SCHOENBRODGT DIRECTORS ASSITANT- BAILEY WARD @bailey.ww CREATIVE PRODUCER (EVENT) - ARUN MALHOLTRA LIGHTING DESIGN - ANDERS HEBERLING PRODUCTION MANAGER - DENNY RICH DOP - MIKA ALTSKAN @mikaaltskan 1AC - CHRIS CRUZ @omni_cloud 1AC (CHECKOUT ONLY) - RACHEL GWOZDZ 2AC (LOADER) - ALEX DE LEON LIVE SOUND MIXER - FREDAGAIN GAFFER - CONNOR SCHUURMANS SWING - ELI BEUTEL @eli.beutel SWING - NICK SCHOENBRODGT SOUND MIXER - BORIS KRICHEVSKY GRADE: DANTE PASQUINELLI @dantegiani COLOUR HOUSE: ETHOS STUDIO @ethos_studio COLOUR PRODUCER: NAT TERESHCHENKO @sweetiepiekewpie EDIT: UNCANNY @uunnccaannyy

11

music

03:29

Kings Of Leon - Mustang

1st AC: Quentin Lesser DIT: Jack Sheahan 1st AD: KD Amond Art Assist: Mary Jennings Production Coordinator: Lizzy McAvoy-Bass Production Assistant: Ali Thomas Grooming: Mawra Bashir Editorial: Slips Studio VFX: Matt Lathrom Director’s Rep: Nicole O’Connell /Hart Represents Production Company: RadicalMedia Special Thank You To:Ben Chappell, Jordan Williams, Naomi Williams, Nicholas Schurman, Kim Gilbert, Kellie Hachten, Jennifer Jones

12

music

03:15

Chita - No Fue ft. CA7RIEL

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music

Max Cooper - Inanimate to Animate

Youtube

Max Cooper: With nature’s scene set, we now venture into the strange boundary of living and dead. The dynamism, determinism and energy gradients of the environment harnessed for self-replication in organisms which appear as much inanimate natural process as animate life. But complexity grows, and we are on the trajectory towards sentience in the visual story. The musical starting point of this project was that of boundary conditions, and the musical escapism into a surreal boundary between wakefulness and dreaming. I continued to explore themes of boundary conditions with Jip Mus for the visual interpretation, where Jip delved into the mechanics of life, with self-made growth media, micro-organisms and micro-cinematographic experiments. The vocalist and musician Kotomi, who has a beautifully ethereal voice, brought the project to life perfectly. Not via lyrics and a loud human presence, but with the voice as an instrument, blending her feeling into the wider experience. For the spatial audio mix with Adam Smythe and Niels Orens, we created partially randomised and freely improvisated structures. Using smooth movements and a balance of order and disorder spatially to mirror the ideas of the chapter. The previous collaboration with Max on the ‘Reflect’ film was choreographed by the different shapes water would take when shifting in states of aggregation. This natural growth was one of the starting points for ‘Inanimate to Animate’ as well. Jip Mus: This is a story about the boundary between life and non-life. A film about the continuation of species, where we see different cells and organisms increase in an almost rhythmic and pulsating way. Getting the right amount of abstraction and dream-state in the visual approach was the challenge for this project. The organisms we see are super abstract, we recognise them as being from a natural world but also can’t quite place them within our frame of reference. This is also why working on a microscopic level is interesting to me, we usually can’t experience this complex dimension. Everything you see in the film is ‘living’. It is questioning our definition of intelligence and what we define as a living organism. It’s amazing how much I have learned about biology and our (micro) universe and I am incredibly thankful for the people that helped me during this project. I hope you can enjoy our work, and that it might bring back some fascination for the natural world around us.

Visuals

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