MUSIC

01

music

02:51

Shygirl - encore (ft. Danny L Harle)

Director: Ferina @fancyfortune Producer: Harvey Moore @hp_moore Executive Producer: Morgan Clement @dutty_pictures Production Company: Object & Animal @objectandanimal Videographer: Saskia Dixie @saskia.dixie DOP: Jack Hamilton @jackch_ Movement Director: Benjamin Jonsson @benjaminjonsson_ Focus Puller: Tuncer Ozdemir @tuncerozdemirr Gaffer: Jonny Boomer @jonny.boomer Spark: Bryan Lim @bryanlim Runner: Alice Soutar @alicesoutar Makeup Artist: Luz Giraldo @psychwitch_ Hair: Shahiyan Mason @shy_mason Styling Assistant: Ezra Spearpoint @ezraspearpoint Editor: Ferina @fancyfortune Colourist: Myles Bevan @m.y.l.e.s Post Production: Studio RM @studio__rm Label: Because Music @becausemusic

02

music

02:22

Swank Mami - I Saw U

03

music

03:19

Jouska - Fragrance

Lights: Kjell Inge Eidsaunet Styling by: Maria Hilde

04

music

02:50

Marie Noreger & Nedja - Lonely Dinosaur (Official Lyric Video)

05

music

03:37

Metteson - Look To A Star

Director: Metteson Co-director: Sondre Røe Producer: Røe Studio DOP: Marius Aaserud Choreography: Ole Kristian Tangen Styling and concept: Metteson Makeup: Katarina Fedøy Post: Erik Treimann (ONZONZ) Grade: Didrik Bråthen (TMLS) Dancers: Ole Kristian Tangen and Even Eileraas Gaffer: Leif Kristian Karlsen Bestboy: Bengt Simonsen Electricians: Petter Brenni & Jacob Lundberg 1AC: Lisa Wiik 2AC: Mathilde Kollandsrud Props: Mira Landa & Anniken Larssen Equipment: Storyline Studios Studio: Nina Heidenreich (Filmparken) Including costumes by Friedrich Floen and Antti Bjørn Special thanks to Ina Christel Johannessen

06

music

02:39

Delara - Kalash (Acoustic Performance Video)

07

music

04:49

Laufey - Goddess

Starring Laufey and Will Gao Produced by Iconoclast Co-Produced by LFR Director’s Rep: Cheyenne Shannon, Jamie Rabineau @ Lark Creative Executive Producer: Francesco Colombo Founder / MD LFR: Luigi Rossi Line Producer: Raven Jensen Production Manager: Lucy Rennick 1st AD: Laura Klein Creative Director: Junia Lin Video Commissioner: Bianca Bhagat Label: AWAL Management: Max Gredinger for Foundations Day-to-Day Management: Jackie Karlsson for Foundations Director of Photography: Daniel Bouquet 1st AC: Arjun Bajaj 2nd AC: Lucy Moloney Film Loader: Josh Bote Gaffer: Omar Nasr Best/Swing: Agustina Biasurro Best/Swing: Alexander Key Grip: Bill Hilferty Best Boy Grip: Jon Mendez Production Designer: Madison Hatch Art Director: Taja Feistner Set Decorator: Steven Killian Picture Car Driver: Besim Tahiri Art PA: Abe Alawi Stylist: Britt Theodora Stylist Assistant: Alexandra Crown Key HMUA: Abby Berni Assistant HMUA: Ashtyn Thurber Add'l HMUA: Lauren Citera Editor: Carla Luff @ Cabin Edit Cabin Producer: Linden Carty Colorist: Sofie Borup @ Company 3 Company 3 Producer: Shannen Troup Sound Design/ Sound Mix: Jeremy Emery Locations Manager: Matthew Dipple Set PA: Spencer Strickland Set PA: Ashley Christopher Leach Truck PA: Ainsley Samuda Truck PA Ridealong: Owen Palmer Sound Op: Catherine Hood BTS: Katherine Gouged

08

music

02:50

Dora Jar - She Loves Me

09

music

03:34

Peach Fuzz - What Do You Want From This?

10

music

03:53

JW Francis - Pretending

11

music

04:35

Plum - With You

12

music

03:09

Rumania - Imán & Cósima

Dirección de fotografía y color: Ivan Palazzo Caputo Asistente de dirección: Ezequiel Raad Asistente de cámara: Ramiro Gossn Foto fija: Fiona Saftich Diseño de tapa: Cósima Fricke Maquillaje: Makeup by Tiago Vestuario: Miuki Madelaire

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music

Max Cooper - Forgotten Places

Youtube

Max Cooper: 'Forgotten Places' began as a feeling, chord progression and an idea to make an audio visual project about the lost places in our built environment and the beauty of nature starting to take hold again. For me these sorts of places have always been important for some time away from the city grind when there’s no time for escaping the city. There’s something special about unkept spaces and the form of complexity that emerges along with a reassuring feeling that nature will persist beyond us. I chatted to Kathrin about the ideas and she made an on the spot improvisation for the vocals in the way that only she can, full of expression. I then started looking for imagery of the idea and found Jonk’s amazing photographs of abandoned spaces. He was interested in experimenting with how we could use his work as the basis for a music video so the next challenge was how to turn stills into moving image. The next stage of the project happened with AI art specialist Xander Steenbrugge. In the era when there are often issues around ownership and crediting of AI generated art I was interested in how we could base a project on one artist as the source, Jonk. Xander created predictions of frames linked to the photographs so sometimes we see the spaces before they were abandoned or interpolations between them. Finally, I started chatting to Ukrainian artist Nick Motion about how we could take all of the stills and downstream generated video and combine it with his style of particle work and editing to yield the final audio-synced sequence. So overall it’s a collection of different human and machine approaches as an experiment, to hopefully celebrate the photography of Jonk and capture some of the feeling and merit of our forgotten places. Nick Motion: Every project is a journey. And Forgotten Places is such a special one. For me it was fun deep dive into new software, coding and mathematical concepts. I tried to unleash forces of randomness to create a memorable visual narrative. My main challenge was to create an empty container, interesting enough visually for viewers to interact with. Almost a simulation of a narrative. I believe in the ultimate power of abstraction and chaos. Because it enables the viewer to participate in an act of art. You can only see things you already know, feel, and experience. If you listen carefully you`ll find out — the whole world is a reflection of yourself, and it can't be different. This was my first experience working with AI closely. Thanks to the developers community I have access to useful AI models, without leaving a native work environment. This is amazing how far we can get in the simulation of reality. This gives the opportunity to discover interesting parallels between nature and manmade structures. both physical and abstract

Photographer

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