MUSIC

01

music

03:42

Daft Punk - Harder, Better, Faster, Stronger

02

music

03:32

BELLBOY - La neige

Aide à l'animation Laura Passalacqua Tamerlan Bekmurzayev Simon Cadilhac Produit par Remembers

03

music

03:49

KREAM - Arrakis

04

music

02:24

((( 0 ))) - 42

05

music

03:48

Max Cooper - Cardano Circles

Warning: Contains flashing images Max Cooper: Recently I was asked to make a new live show based around Italy for a festival with that theme, so I delved into some historic Italian music and science for the Seme (Seed) project. One idea I came across was Gerolamo Cardano’s “Cardano Circles” system from around 1570. I love how it continuously turns straight lines into circles (it was part of early printing press technology). I wanted to present variants of this idea and started chatting to animator / coder Mario Carrillo about a video sequence, while I also came up with a musical interpretation. The music was an attempt at a simple beautiful system in line with the basic visual system we were working with. When the music was ready Mario took the visuals into beautiful new realms building on the initial idea, and we chatted a lot about how to connect his various visual systems to the Cardano Circles, and provide lots of opportunity for getting lost in some beautiful emergent abstraction. So yeah, that’s it for this one, I hope you enjoy it, thanks for having a look and a listen as always. Video artist: Mario Carrillo The concept known as “Cardano Circles”, named after the Italian mathematician Gerolamo Cardano, involves arranging circles in a straight line, each at varying angles, and traversing this alignment at different phases. Depending on the number of circles and the phase angle, this mechanism results in circular motion emerging from what would otherwise be linear movement.This simple and yet elegant concept evolved into a visual system designed to explore the aesthetic possibilities inherent in the idea. What if motion and color persist over time, giving rise to new emergent forms? What if varying the phase angle produces shapes beyond circles? And what if these circles were arranged in a grid rather than a Cardano system, numbering in the tens of thousands that swarm new patterns? The sequence unfolds, at times echoing the Cardano motif, to remind us of the foundational structure from which everything stems. Cardano Circles is a fusion of music, technology, and mathematics to craft a captivating abstraction of an age-old mechanical concept. It was a pleasure to work in synergy with Max as we blended our ideas throughout the process — we sincerely hope you find as much joy in experiencing it as we did in creating it.

06

music

03:00

Kings Of Leon - Nothing To Do

Produced and Directed by Kings of Leon and Casey McGrath. Shot by Caleb Followill.

07

music

02:27

FAMAS - FREESTYLE MARASSE

08

music

03:10

Peggy Gou - 1+1=11

The video for Peggy Gou’s song 1+1=11 shows artist Olafur Eliasson dancing inside a light installation at his studio in Berlin. As he breakdances – gliding, popping, and moving like a robot – he crosses through beams of light from eight projectors, each of a different hue, unleashing an array of colourful shadows and silhouettes that overlap and cascade across the wall. The artist first began breakdancing as a teenager, an experience he often credits as having inspired his embodied approach to art-making. Gou herself appears in the artist’s studio among the geometric models, lights, and mirrors, holding aloft a polarising disc that becomes alternately transparent and dark as she turns it. The works of Icelandic-Danish artist Olafur Eliasson are driven by his long-standing interests in perception, movement and embodied experience. Eliasson is internationally-renowned for his public installations that challenge the way we perceive and co-create our environments. Web: Studio Olafur Eliasson Instagram: @studioolafureliasson Starring: Peggy Gou and Olafur Eliasson Artistic Director: Olafur Eliasson Director: Olafur Eliasson @studioolafureliasson Production Co: ProdCo @prodcofficial Founding Partner/EP: Zico Judge HOP: Sam Levene Producer: Theo Hue Williams @theohuewilliams Local Producer: Philmo Haucke @phlmbln Commissioner: Scott Wright Choreographer: Steen Koerner @steenkoernerstudio DOP: Franz Lustig @lustig.franz 1AC: Daniel Erb 1AC: Uwe Zegnotat 2AC: Hanna Lange @hannafriedalange VTR: Daniel Bose DIT: Frank Hellwig 1AD: Stevie Williams Runner: Andre Dalchau Runner: Bassam Ibrahim Gaffer: Albrecht Silberberger Spark: Dan Jung Spark: Christophe Naschke Grip: Jan Brun MUA: Nina Dueffort VFX Sup: Mickey O’Donoghue VFX Producer: Libby Gandhi @libby.gandhi VFX House: Selected Works @selectedworks.tv Editor: Armen Harootun @hharmenhh Co-Editor: Elena Bromund @elena.lustig Colourist: Taylor Pool @taylorgrades Colour House: Trafik @the.trafik

09

music

02:26

Lil Jay Bingerack - Hi Hi Hi

label: Black Star France Real : benY Boy Assistant real : Prod exe : Artizan Agency D.A: Honorat Aguiré Cadrage : Le Collectif Decor : Les Jumeaux Montage : Beny Boy Etalonnage : beny Boy Makeup Artist : Ashleymakeup Styliste : JMS couture-- hermann - kaunand-jef krea Staring : khaddy kaba Tanya -Adja Jocelyne Ishola

10

music

03:30

The Human League - Don't You Want Me (Purple Disco Machine Remix)

11

music

03:22

Asna - Atalaku

Atalaku means " look here" or give a "shout out" to someone in lingala. This video clip is a Big Atalaku to all my generation, a special shout out to all my people 🇨🇮✨❤️ Credits : Production : Asna Artistic Director : Asna Editor : Allessandro Rodriguez Director of photography : Will Niava Colorist : Wilhend Norvils Credits designers : Alex Wondergem Dancer : Kidydancer Choreographer : Jean Paul Mehansio & Rhodes Karismatik Styling : Lamisigo Show runner : Clement Kouassi Assistant : John Kodjo / Theio

12

music

03:27

The Beatles - Revolution

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music

Max Cooper - Forgotten Places

Youtube

Max Cooper: 'Forgotten Places' began as a feeling, chord progression and an idea to make an audio visual project about the lost places in our built environment and the beauty of nature starting to take hold again. For me these sorts of places have always been important for some time away from the city grind when there’s no time for escaping the city. There’s something special about unkept spaces and the form of complexity that emerges along with a reassuring feeling that nature will persist beyond us. I chatted to Kathrin about the ideas and she made an on the spot improvisation for the vocals in the way that only she can, full of expression. I then started looking for imagery of the idea and found Jonk’s amazing photographs of abandoned spaces. He was interested in experimenting with how we could use his work as the basis for a music video so the next challenge was how to turn stills into moving image. The next stage of the project happened with AI art specialist Xander Steenbrugge. In the era when there are often issues around ownership and crediting of AI generated art I was interested in how we could base a project on one artist as the source, Jonk. Xander created predictions of frames linked to the photographs so sometimes we see the spaces before they were abandoned or interpolations between them. Finally, I started chatting to Ukrainian artist Nick Motion about how we could take all of the stills and downstream generated video and combine it with his style of particle work and editing to yield the final audio-synced sequence. So overall it’s a collection of different human and machine approaches as an experiment, to hopefully celebrate the photography of Jonk and capture some of the feeling and merit of our forgotten places. Nick Motion: Every project is a journey. And Forgotten Places is such a special one. For me it was fun deep dive into new software, coding and mathematical concepts. I tried to unleash forces of randomness to create a memorable visual narrative. My main challenge was to create an empty container, interesting enough visually for viewers to interact with. Almost a simulation of a narrative. I believe in the ultimate power of abstraction and chaos. Because it enables the viewer to participate in an act of art. You can only see things you already know, feel, and experience. If you listen carefully you`ll find out — the whole world is a reflection of yourself, and it can't be different. This was my first experience working with AI closely. Thanks to the developers community I have access to useful AI models, without leaving a native work environment. This is amazing how far we can get in the simulation of reality. This gives the opportunity to discover interesting parallels between nature and manmade structures. both physical and abstract

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