MUSIC

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music

03:42

Daft Punk - Harder, Better, Faster, Stronger

02

music

03:32

BELLBOY - La neige

Aide à l'animation Laura Passalacqua Tamerlan Bekmurzayev Simon Cadilhac Produit par Remembers

03

music

03:49

KREAM - Arrakis

04

music

02:24

((( 0 ))) - 42

05

music

03:48

Max Cooper - Cardano Circles

Warning: Contains flashing images Max Cooper: Recently I was asked to make a new live show based around Italy for a festival with that theme, so I delved into some historic Italian music and science for the Seme (Seed) project. One idea I came across was Gerolamo Cardano’s “Cardano Circles” system from around 1570. I love how it continuously turns straight lines into circles (it was part of early printing press technology). I wanted to present variants of this idea and started chatting to animator / coder Mario Carrillo about a video sequence, while I also came up with a musical interpretation. The music was an attempt at a simple beautiful system in line with the basic visual system we were working with. When the music was ready Mario took the visuals into beautiful new realms building on the initial idea, and we chatted a lot about how to connect his various visual systems to the Cardano Circles, and provide lots of opportunity for getting lost in some beautiful emergent abstraction. So yeah, that’s it for this one, I hope you enjoy it, thanks for having a look and a listen as always. Video artist: Mario Carrillo The concept known as “Cardano Circles”, named after the Italian mathematician Gerolamo Cardano, involves arranging circles in a straight line, each at varying angles, and traversing this alignment at different phases. Depending on the number of circles and the phase angle, this mechanism results in circular motion emerging from what would otherwise be linear movement.This simple and yet elegant concept evolved into a visual system designed to explore the aesthetic possibilities inherent in the idea. What if motion and color persist over time, giving rise to new emergent forms? What if varying the phase angle produces shapes beyond circles? And what if these circles were arranged in a grid rather than a Cardano system, numbering in the tens of thousands that swarm new patterns? The sequence unfolds, at times echoing the Cardano motif, to remind us of the foundational structure from which everything stems. Cardano Circles is a fusion of music, technology, and mathematics to craft a captivating abstraction of an age-old mechanical concept. It was a pleasure to work in synergy with Max as we blended our ideas throughout the process — we sincerely hope you find as much joy in experiencing it as we did in creating it.

06

music

03:00

Kings Of Leon - Nothing To Do

Produced and Directed by Kings of Leon and Casey McGrath. Shot by Caleb Followill.

07

music

02:27

FAMAS - FREESTYLE MARASSE

08

music

03:10

Peggy Gou - 1+1=11

The video for Peggy Gou’s song 1+1=11 shows artist Olafur Eliasson dancing inside a light installation at his studio in Berlin. As he breakdances – gliding, popping, and moving like a robot – he crosses through beams of light from eight projectors, each of a different hue, unleashing an array of colourful shadows and silhouettes that overlap and cascade across the wall. The artist first began breakdancing as a teenager, an experience he often credits as having inspired his embodied approach to art-making. Gou herself appears in the artist’s studio among the geometric models, lights, and mirrors, holding aloft a polarising disc that becomes alternately transparent and dark as she turns it. The works of Icelandic-Danish artist Olafur Eliasson are driven by his long-standing interests in perception, movement and embodied experience. Eliasson is internationally-renowned for his public installations that challenge the way we perceive and co-create our environments. Web: Studio Olafur Eliasson Instagram: @studioolafureliasson Starring: Peggy Gou and Olafur Eliasson Artistic Director: Olafur Eliasson Director: Olafur Eliasson @studioolafureliasson Production Co: ProdCo @prodcofficial Founding Partner/EP: Zico Judge HOP: Sam Levene Producer: Theo Hue Williams @theohuewilliams Local Producer: Philmo Haucke @phlmbln Commissioner: Scott Wright Choreographer: Steen Koerner @steenkoernerstudio DOP: Franz Lustig @lustig.franz 1AC: Daniel Erb 1AC: Uwe Zegnotat 2AC: Hanna Lange @hannafriedalange VTR: Daniel Bose DIT: Frank Hellwig 1AD: Stevie Williams Runner: Andre Dalchau Runner: Bassam Ibrahim Gaffer: Albrecht Silberberger Spark: Dan Jung Spark: Christophe Naschke Grip: Jan Brun MUA: Nina Dueffort VFX Sup: Mickey O’Donoghue VFX Producer: Libby Gandhi @libby.gandhi VFX House: Selected Works @selectedworks.tv Editor: Armen Harootun @hharmenhh Co-Editor: Elena Bromund @elena.lustig Colourist: Taylor Pool @taylorgrades Colour House: Trafik @the.trafik

09

music

02:26

Lil Jay Bingerack - Hi Hi Hi

label: Black Star France Real : benY Boy Assistant real : Prod exe : Artizan Agency D.A: Honorat Aguiré Cadrage : Le Collectif Decor : Les Jumeaux Montage : Beny Boy Etalonnage : beny Boy Makeup Artist : Ashleymakeup Styliste : JMS couture-- hermann - kaunand-jef krea Staring : khaddy kaba Tanya -Adja Jocelyne Ishola

10

music

03:30

The Human League - Don't You Want Me (Purple Disco Machine Remix)

11

music

03:22

Asna - Atalaku

Atalaku means " look here" or give a "shout out" to someone in lingala. This video clip is a Big Atalaku to all my generation, a special shout out to all my people 🇨🇮✨❤️ Credits : Production : Asna Artistic Director : Asna Editor : Allessandro Rodriguez Director of photography : Will Niava Colorist : Wilhend Norvils Credits designers : Alex Wondergem Dancer : Kidydancer Choreographer : Jean Paul Mehansio & Rhodes Karismatik Styling : Lamisigo Show runner : Clement Kouassi Assistant : John Kodjo / Theio

12

music

03:27

The Beatles - Revolution

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music

Max Cooper - Exotic Contents

Youtube

Max Cooper: I have been exploring the difficulties of communicating with words as part of my new Unspoken Words album project. I was thinking about how to visualise the idea, and started chatting to artist and machine learning specialist Xander Steenbrugge about a system for converting words to visual stories. The idea was to take the writings of Ludwig Wittgenstein, who tackled this question of the difficulties of using words to explain our selves and our place in the world, and to have the AI system re-interpret these writings in visual form, making a direct visual representation of the Unspoken Words album concept. It's interesting for me to see the incomprehensible philosophical language interpreted visually like this, full of symbolism and the boundaries between language, our selves, and the world, broken down into flowing abstraction. I haven't really taken it all in yet, I feel like there's more to discover in it than I can appreciate. The system has a lot more potential too, we will be running a version where you can have your own words turned into visuals and music as well, keep an eye out on my socials and mailers for that if you'd like to get involved. The music was a similar departure from my usual interpretation of ideas, where I applied a half time drum and bass format with more aggression and sharpness of sound design. It’s a club track, but for me, an exotic form of club track. The name came from Wittgenstein’s private language argument, and the difficulty of communicating an entirely internal, subjective object to others when we can never directly show the object to each other. He uses the analogy of a beetle in a box, and I refer to the idea instead as our exotic contents. Xander Steenbrugge: From the very start of this collaboration, Max and myself were very eager to leverage the latest advances in AI to directly visualize language through the mind of the machine. For the past few months, in fact, I've been exploring this approach using a combination of two machine learning models: a generative system called VQGAN, which can generate pixels starting from a blank canvas, and a perceptual system called CLIP that guides this generator by scoring how well the generated imagery matches a given language prompt. Through this feedback loop, the system can be used to directly convert language into the visual domain. After an early phase of experimentation with this technique, we quickly settled on Wittgenstein's Tractatus as a great narrative for this technique as it deals directly with the relationship between language and reality and aims to define the limits of science. This final video then, is a direct visualisation of many of the statements posed by Wittgenstein in his seminal work, as interpreted by the AI.

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