MUSIC

01

music

04:30

CLARA CAVA - TE DEJÉ UNA CARTA

02

music

06:16

Aiko - nado verde

03

music

04:22

Empire Of The Sun - Changes

Producer/2nd Unit DP: Morgan Gold Creative Direction: Snaps (Jodi Lee Steele) Production Company: Flos Flor Production Company Thailand: Deluxe Line Producer: Sudkamol ‘GOB’ Tangtham 1st AD: Pacharaporn ’NOI’ Hitanant Director of Photography: Chaiyapruek ‘BANK’ Chalermpornpanit Art Director: Premsak ‘ART’ Ketsrinarong Make-up Artist: Ashley Joy Beck Hair Stylist/2nd Unit Makeup Artist: Quinn Enright Costume Designer: Supachai ‘ARM’ Bunnag Additional Costume Design: Kate Tabor Locations Manager: Suwatcharee ‘MAY’ Prateep Na Thalang Editor: Dave De Carlo Assistant Editor: Brigitte Haynes Editing Facility: Rooster Post Production Colorist: Jordan Benegbi Color Facility: The Vanity VFX Supervisor: Jeremy Hunt for Screaming Death Monkey VFX Artist: Aujik VFX Artist: Kyle Tiernan Additional Score by Nick Shadel

04

music

04:56

DIIV: Everyone Out

Animation/Editing: Aaron Anderson Creative Direction: Parker Sprout and DIIV

05

music

02:57

L'Impératrice — Danza Marilù (feat. Fabiana Martone)

Avec le soutien du Centre National du Cinéma et de l'Image Animée

06

music

03:15

Torn In Two - Beachwood Sparks

"Torn In Two," Beachwood Sparks' long-awaited single produced by Chris Robinson of the Black Crowes, showcases the band's signature Western swing and the blend of soft signature, expressive vocals of Chris Gunst. The song crests with a glorious guitar solo that electrifies the soul. With Robinson's seasoned touch, the track and animated video by Mark Neeley captures the raw energy of Neil Young's Zuma era, while weaving a narrative of West Coast environmentalism. After 12 years, the band's return is marked by both familiarity and lil' bit of evolution.

07

music

03:01

Bktherula - THE WAY

08

music

03:03

muque - Bite you

1st Camera Assistant:Sora Shimizu 2nd Camera Assistant:Tomoya Sato Lighting:Ryo Ueda Lighting Assistant:Daisuke Sakai /Hanna Kasho Hairmake:Shizuka Satake Stylist:Yuya Nakajima Dancer:Takato Yamazaki Choreographer:Suichu-megane∞ Colorist:Yuma Izuka Production Manager:Koki Okuno Production Assistant:Shunya Sakanoshita /Karin Idouji /Kokoro Shukunobe /Taiki Baba(P.I.C.S.) Producer:Shogo Honda(P.I.C.S.)

09

music

03:13

Crumb - AMAMA

Editor: Alex Futtersak Creative Direction: Abraham El Makawy & Crumb Mario Paint Animation: Michael Jensen Web Developer: Michael Saunders Analog Processing: Alex Futtersak Special Thanks : Julián Cordero

10

music

02:26

La Femme - Françoise

11

music

03:24

Future, Metro Boomin, The Weeknd - Young Metro

Producer: Nour Sayeh DP: Brett Arndt Production Manager: Tali Weizman Production Coordinator: Natalle Jastrow 1st AD: E Class 2nd AD: Ricky Dula A Cam 1st AC: Daniel Ajemian B Cam 1st AC: Jay Dallen 1st AC: Levi Jawara A Cam 2nd AC: Nicholas Menio A Cam 2nd AC / Media Manager: Joseph Wise Steadicam Op: Zachary Stanke Steadicam Op: Donald Turner Gaffer: Jorge Hernandez Swing: Sam Kim Key Grip: Mike Long Gaffer: Zied Jendoubi Editor: Omar Jones, Hidji World Colorist: Josh Bohoskey VFX: Rick Lancaster, Omar Jones, Keats Titles: Mark St Andre Photographer: Matt Adam Location Manager : Ron Dabach Production Assistant: TJ Gormely Production Assistant: Charlie Agurrie Production Assistant: Daniel Price Production Assistant: Khaki Jean MUA: Alan Gonzalez Jr. MUA ASSISTANT: Gabriela Vega Stylist: Sakinah Bashir Stylist Assist: Taylor Bell Future Stylist: Storm Pablo Jeweler/Assist: Marvin Douglas Stylist Assist: Junichi Kamata Future Barber: Ian Owens Metro Braider: Priscilla Williams Casting Director: Dorcas Thete Gymnast: Sydney Barros Background: Ameena Brown Background: Zainab Okeo Background: Kyyla Renee Taylor Background: Nafia Muhammad Background: Nyla Dixon Background: Kyniah Thompson Background:Amber Lynee Background: Mauri Phillips Production Co: MirrorBox

12

music

03:23

Erika de Casier - Polite

Dancer: Patrick Afuale Eirup

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music

Max Cooper - Exotic Contents

Youtube

Max Cooper: I have been exploring the difficulties of communicating with words as part of my new Unspoken Words album project. I was thinking about how to visualise the idea, and started chatting to artist and machine learning specialist Xander Steenbrugge about a system for converting words to visual stories. The idea was to take the writings of Ludwig Wittgenstein, who tackled this question of the difficulties of using words to explain our selves and our place in the world, and to have the AI system re-interpret these writings in visual form, making a direct visual representation of the Unspoken Words album concept. It's interesting for me to see the incomprehensible philosophical language interpreted visually like this, full of symbolism and the boundaries between language, our selves, and the world, broken down into flowing abstraction. I haven't really taken it all in yet, I feel like there's more to discover in it than I can appreciate. The system has a lot more potential too, we will be running a version where you can have your own words turned into visuals and music as well, keep an eye out on my socials and mailers for that if you'd like to get involved. The music was a similar departure from my usual interpretation of ideas, where I applied a half time drum and bass format with more aggression and sharpness of sound design. It’s a club track, but for me, an exotic form of club track. The name came from Wittgenstein’s private language argument, and the difficulty of communicating an entirely internal, subjective object to others when we can never directly show the object to each other. He uses the analogy of a beetle in a box, and I refer to the idea instead as our exotic contents. Xander Steenbrugge: From the very start of this collaboration, Max and myself were very eager to leverage the latest advances in AI to directly visualize language through the mind of the machine. For the past few months, in fact, I've been exploring this approach using a combination of two machine learning models: a generative system called VQGAN, which can generate pixels starting from a blank canvas, and a perceptual system called CLIP that guides this generator by scoring how well the generated imagery matches a given language prompt. Through this feedback loop, the system can be used to directly convert language into the visual domain. After an early phase of experimentation with this technique, we quickly settled on Wittgenstein's Tractatus as a great narrative for this technique as it deals directly with the relationship between language and reality and aims to define the limits of science. This final video then, is a direct visualisation of many of the statements posed by Wittgenstein in his seminal work, as interpreted by the AI.

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