SS22 FOGACHINE WOMEN’STHURSDAY 30 SEPTEMBER 2021, 12H00PALAIS DE TOKYO. SCULPTED BODYSUITS IN BLACK MATTE LACQUERED STRETCH DENIM ARE PEELED DOWN TO FORM ABSTRACT SKIRTS AND WORN OVER PLATFORM THIGH HIGH WADERS NOW SLICED INTO SPINDLY SPARTAN BOOTS... WORN WITH EASY T-SHIRTS SPLICED WITH THE THINNEST NYLON THAT FLOATS IN THE AIR LIKE THE FOG THIS COLLECTION WAS NAMED AFTER. TAILORING HAS CRISP, SHARP SHOULDERS IN MICROJACKETS, OR COATS WITH THE SIDES CARVED OUT IN AN HOURGLASS SHAPE — CUT IN COTTON ORGANDY AND SILK MOUSSELINE TO EXPOSE THE COMPLEXITY OF THE STRUCTURAL INTERLININGS BENEATH. GEOMETRIC CUTOUTS BLUNTLY EXPOSE FLESH AT TIMES WHILE ROBES AND CLOAKS CUT IN FLOWING COQ FEATHER ENCRUSTED TULLE OR RIGID COTTON FAILLE SOLEMNLY CONCEAL. LEATHER AND NYLON BOMBERS OUTLINE THE FEMALE EQUIVALENT OF LE CORBUSIER’S MODULAR MAN AND ARE WORN OVER FLARED JEAN SKIRTS IN 16OZ BLACK, NATURAL, OR ORANGE SELVEDGE DENIM CUSTOM WOVEN FOR US BY YAMAASHI ORIMONO (EST. 1945) ON VINTAGE SAKAMOTO SHUTTLE LOOMS. THIS IS FROM AN ONGOING DRKSHDW CAPSULE MADE IN KURASHIKI, OKAYAMA PREFECTURE, JAPAN. GIRDERED BUBBLE JKTS WITH HARD, STRONG SHOULDERS AND RUCHED CHIFFON BODIES PROVIDE ARCHITECTURAL CONFECTION IN SOLID BRIGHTS OR SOFT BLEEDING DÉGRADÉS. MULTICOLORED MOHAIR SPIDERWEB KNITS COVER THE BODY IN DRIPPING LAYERS OF REMOVABLE ARMS AND HOODS. BRUTALIST CHOKERS ARE FROM AN ONGOING JEWELRY COLLECTION PRODUCED BY GOOSSENS, THE MAISON THAT ONCE PRODUCED JEWELRY FOR COCO CHANEL, CRISTÓBAL BALENCIAGA, AND MADAME GRÈS IN THE 1950S.