MUSIC

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music

00:06

CODEX003

Digital plants laboratory based on the work of Luigi Serafini.

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music

02:18

ANAÏS MVA - 24 Février

Productrice: Agnès Boulard Coordinateur de Production: Matthieu Fusil Assistant de Production: Maël Dufossé 1er Assistant Réalisateur Jacques Mady Directeur de la photographie: Piotr Lebryk 1er Assistant opérateur: Henri Cosson Chef électricien: Ulysse Branchereau Electricienne: Philomène le Palud Electricien: Luc Desprez Chef Machiniste: Jean Le Gouill Machiniste: Lucas Detry Set Designer: System F Make Up Artist: Julie Coone Assistante make up: Lea Villalobos Styliste: Roxane Noel 1er Assistante styliste: Anais N’Diaye 2nd Assistant styliste: Maël Charton Régisseur Général: Mathurin Pezon Régisseur Adjoint: Hughues Lequippe Assistant Régie: Kevin Ozcan Assistant Régie: Clement Chouleur Monteur: Morgan Mirza Assistant monteur: Aymerick Le Bouquin VFX: Infinite_VFX / LLLL studio Etalonneuse: Inès Henry-Manceau Assistant étalonneur: Alexandre Queyrous

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music

03:53

Mushkaa, Bad Gyal - SexeSexy

Directors @souto___ @jordilops Editor @jordilops Producer @paulafarelo DOP @puxxoo Stylist Mushkaa @bertapermanyeer Stylist Bad Gyal @albamelendo Bad Gyal HMU @venusplastik Colorist @juliarossetticolor Graphics @cesarxce Focus Puller @lecucu_ 2 AC @miquelpons.jpg Gaffer @nicolau.alvarez Photographers @natalia.cornudella Production Assistant @janaguanyabens Stylist Assistant @hugolatorrer Costurera: @cuchifritta Runners @queeeeeeeel @rogeergrau_ @gatafreda

04

music

04:48

Depeche Mode - People Are Good

1st AD: Chris Kelly Location Manager: Mike Glynn Production Manager: Milo Beyts Casting Director: Leann Flinn Movement Director: Mikey Boateng Stylist: Ellie Walker HMUA: Dasha Taivas Grip: Jem Morton Phantom Operator: Jason Berman Edit House: Stitch Post Production: Black Kite VFX Lead: Jack Stone Directors Rep: Joceline Gabriel, Camille Semprez Creative Director: Anton Corbijn Columbia Records: Saul Levitz

05

music

04:37

Justice - Neverender (Starring Tame Impala)

Made with electric signal on a 1981 oscilloscope

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music

03:42

Daft Punk - Harder, Better, Faster, Stronger

07

music

03:32

BELLBOY - La neige

Aide à l'animation Laura Passalacqua Tamerlan Bekmurzayev Simon Cadilhac Produit par Remembers

08

music

03:49

KREAM - Arrakis

09

music

02:24

((( 0 ))) - 42

10

music

03:48

Max Cooper - Cardano Circles

Warning: Contains flashing images Max Cooper: Recently I was asked to make a new live show based around Italy for a festival with that theme, so I delved into some historic Italian music and science for the Seme (Seed) project. One idea I came across was Gerolamo Cardano’s “Cardano Circles” system from around 1570. I love how it continuously turns straight lines into circles (it was part of early printing press technology). I wanted to present variants of this idea and started chatting to animator / coder Mario Carrillo about a video sequence, while I also came up with a musical interpretation. The music was an attempt at a simple beautiful system in line with the basic visual system we were working with. When the music was ready Mario took the visuals into beautiful new realms building on the initial idea, and we chatted a lot about how to connect his various visual systems to the Cardano Circles, and provide lots of opportunity for getting lost in some beautiful emergent abstraction. So yeah, that’s it for this one, I hope you enjoy it, thanks for having a look and a listen as always. Video artist: Mario Carrillo The concept known as “Cardano Circles”, named after the Italian mathematician Gerolamo Cardano, involves arranging circles in a straight line, each at varying angles, and traversing this alignment at different phases. Depending on the number of circles and the phase angle, this mechanism results in circular motion emerging from what would otherwise be linear movement.This simple and yet elegant concept evolved into a visual system designed to explore the aesthetic possibilities inherent in the idea. What if motion and color persist over time, giving rise to new emergent forms? What if varying the phase angle produces shapes beyond circles? And what if these circles were arranged in a grid rather than a Cardano system, numbering in the tens of thousands that swarm new patterns? The sequence unfolds, at times echoing the Cardano motif, to remind us of the foundational structure from which everything stems. Cardano Circles is a fusion of music, technology, and mathematics to craft a captivating abstraction of an age-old mechanical concept. It was a pleasure to work in synergy with Max as we blended our ideas throughout the process — we sincerely hope you find as much joy in experiencing it as we did in creating it.

11

music

03:00

Kings Of Leon - Nothing To Do

Produced and Directed by Kings of Leon and Casey McGrath. Shot by Caleb Followill.

12

music

02:27

FAMAS - FREESTYLE MARASSE

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music

Max Cooper - Swapped

Youtube

Max Cooper: There is a particular phase of my live audio-visual show where the narrative descends into the scourge of humanity on the planet, and where some techno is called for. For this chapter I was interested in capturing some of the intensity of living amongst urban development and the beauty that goes along with the incessant change and barrage of ideas from all sides. Dimitri originally made an abstracted version of this system as part of one of our creative challenges on the mesh discord, and we chatted about how to develop it to show the human story - rampant destruction, homes, cultures and ideas rapidly repurposed or wiped out to make way for the next thing, on repeat. I tried to be as direct as possible musically, and didn't add too much complexity, with just one techno scripture blaspheme, swapping the kicks and snares position so that it has the effect of dropping early as a little touch of spice on what is otherwise a straightforward club bang with a subtle addition of a binaural trip to the dentist - recordings of drilling and suction inside the mouth to complement the synth style. Dimitri Thouzery: Cities, the vibrant living places of the majority of humanity, are in a constant state of transformation. In the era of liberalization, gentrification, expansionist urbanism, and the dream of smart cities, urban landscapes are evolving rapidly. The video aims to capture the dynamic nature of these changes using a generative and audio-reactive system. Created in TouchDesigner, the system utilizes moving cubes and a differential feedback system to depict the patterns of the city. Different sounds from the tracks trigger variations in the feedback loop, creating diverse patterns. Additionally, a generative grid of buildings expands as the track progress, accompanied by animated individuals moving within the city. Designing such a generative system poses the challenge of unpredictable outcomes at each iteration. While there are ways to control noise parameters for some stability, allowing the system to be somewhat out of control adds a sense of organic evolution to the city. With infinite possibilities, even though a choice has to be made for a music clip, I like to think of it as just one of the many potential outcomes.

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