pikika - tenho de pensar (lyric video)




Joe Goddard - Follow You




Jamie xx - Life feat. Robyn




La Femme - Ciao Paris!




Zimmer90 - Summer Rain (Lyric Video)




RAYE - Genesis.

Creative Agency: Cuyjet Studio Production Company: Blackrush x KODE Executive Producers: RAYE, Nathan Killham, Mikey Robbins, Otis Dominique, Andre Wooz, Liz Adeleye RAYE’s Digital Lead: Alexandra Dairo DOP: David Wright Lead Editor: Phoebe May 1st Assistant Director: Ty Hack Artist Movement Choreographer: Maureen Moores Choreographer: Sadeck Berrabah Colourist: Stef Colosi Colourist: Jonny Tully Production Manager: Dante Roberts Production Coordinator: Scarlet Green Production Assistant: Cerys Kenneally Production Admin Assistant: Lucie Schmidt Production Designer: Jaclyn Pappalardo 2nd Assistant Director: Elsa Grace 3rd Assistant Director: Jessica Lee AD Runner: Miles Bruce-Jones AD Runner: Chantell Kirton 1st Assistant Camera: Paul Snell 1st Assistant Camera: Hopi Demattio 2nd Assistant Camera: Apolo Wilson AR Steadicam Operator: Josh Brooks Thermal Camera Operator: Phoebe May Key Grip: Paul Mammone Key Grip: Grant Rowe Crane Tech: Dan Hegarty Crane Head Tech: Dan Blundy Grip Trainee: Adam Simmons LED Screen Tech: Kris Mazia LED Screen Tech: Michal Kyschky Art Assistant: Daniel Munro Construction Assistant: Alan Roshier Gaffer: Riaz Ahmed Best Boy: John Harkins Spark: Bailey Langford Spark: Chay McGill Spark: Stanisław Proszowski Spark: James Booker Desk Operator: Eddie Cook Video Playback: Ben Mcconnel DIT: Núria Pérez DIT: Andre Sapori RAYE Stylist: Lauren Groves RAYE Stylist Assistant: Eliza Goldsmith RAYE Hair Stylist: Alex Price RAYE Make-Up Artist: Lan Nguyen Cast Stylist: El-Shaddai Nyagodzi Cast Stylist Assistant: Richy Da Silva Cast Stylist Assistant: Emily Young Cast Hair Stylist: Jana Pirosko Cast Make-Up Artist: Yong Chin Cast Make-Up Artist: Grace Hayward Cast Make-Up Artist: Yelena Konnova Runner Driver: Sonny Greaney Runner: Maxim J Elliot Runner: Khalil Vaughan Runner: Venus Baginski Runner: Rene Rehak Runner: Beth Jespersen Runner: Divine Owoola 16mm B-Roll: Alex Georgiades Unit Stills: Zach Maynard Unit Stills: Louis Clackett Medic: Andy Taylor Medic: Kevin Peach Security: Chris Bird Post Producer: Liz Adeleye 1st Assistant Editor: Samuel Maton AI Video Content: Noper VFX Studio: TK-FX VFX Post-Producer: Johan Barrios VFX Compositor: Salvatore Lo Cascio - VFX Compositor: Rahomanhan VFX Compositor: Joe Forden CG / Comp: Denova Media CG / Comp: Greezus CG / Comp: @michal.rech Onset Sup: Nino Oz Roto: Indigo VFX DAILIES CREW: DOP: Sam Meyer 1st Assistant Camera: Adam Fox Spark: Connor Baskey Runner: Toby Leahy




minji - Looking for mice




Virginie B - Hyperboi

Label: Bonsound Stylisme: Andy Jon @andyjon__ Production: Louane Williams @louanew Direction photo et caméra: Félix Perrault @felixpayroll Coaching physique: David-Emmanuel Jauniaux @davemjau Jupe: Jade Simard @textilehustler Guêtres: Delphine Grégoire-Gendron @delphinegregoire_ Télévisions et installation: R. Mason @skeletron Colorisation: Guillaume Piché @gui_piche_colo Montage: Rosalie Bordeleau @rozbordel Réalisation: Rosalie Bordeleau @rozbordel




Mitski - Bug Like an Angel

Production Manager: Lucy Rennick Associate Producer: Jordan Alexander 1st AD: Tasha Petty 2nd AD: Taylor Harris-Butler PA: Aaron Prescott PA: Tim Lopez PA: Adrian Lausell PA: Kaileen Rozanski 1st AC: Rob Agulo 2nd AC: Jeff Pollina Gaffer: Eric Sorensen Key Grip: Dominic Ciofalo BBE: David Williamson BBG: Austin Blankenau Stylist Asst: Bailey Rose Brown HMU: Lauren Citera HMU asst: Mary Chapman VFX: Miled Boulos BTS: Rafe Scobey Thal Casting: Michele Mansoor Choir: Janis Russell, Brandon Peterson, Cara Brownell, Wayne Babineaux, Jonsie Cheatham, Barbra Dahl, Susan Farwell, Michael Finch, Cigmond Millnery, Kelsey Swift, Nelson Kezoh, Brandon Peterson, Vilma Donovan Special thanks: The Lafayette Inspirational Ensemble & Choir at Lafayette Avenue Presbyterian church, Ramzi Hibri, Lucid Post, jv8inc, Iva Gocheva, Tala Safié, Ben Levin, Robby Morris, Good Harbor Music, Toufic Safié




Joost - Luchtballon

Produced by Tantu Beats & Thijmen Melissant Written and Performed by Joost Klein (1999)




Cariño - Bisexual




Channel Tres - Cactus Water

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Max Cooper - A Model Of Reality


(Official video by Eris is Red) Max Cooper: This chapter of the Unspoken Words album story ( deals with the arrival of abstract thought as a tool for human expression, visualised by the artist Eris is Red. A hypnotic model of reality is created and explored, with reaction diffusion forms reminiscent of the real world, but never quite real. Familiar symbols are visually referenced as a tool for building and communicating abstraction and new ways of thinking from the ground up, with the new model of reality emerging as meaning emerges from the symbols of our language. I wrote the piece of music during some difficult times of isolation. It came from a live improvisation where I found a hypnotic repeating structure that made me feel the creation of something new and hopeful. It yielded an abstract space I became lost in for months. I came across the beautiful voice of Kotomi (Lauren Culjak) from the ending sequence of an episode of Rick and Morty (S4 E10), where she sings “Don’t look back” in collaboration with Ryan Elder. Something about her voice immediately grabbed me. It has a beautiful otherworldly quality to it which strengthened the feeling of the abstracted space I was trying to create. And I was surprised and happy to find that she was interested in working together on the track, and ok with me mangled her voice into granular oblivion to try and capture the feeling of human expression without the literal restrictions of lyrics. The Dolby Atmos mix for the Blu-ray/Atmos streaming version, was created together with Adam Hare and Niels Orens, focusing on an organic slow moving and inviting space for becoming lost inside, without rigid structures, and lots of improvised paths of sounds through space, in line with the feel of the original piece of music. Eris is Red: "Wittgenstein's concept of Sprachspiel, or Language Games, describes the fluid nature of how we communicate and how it contextually based and can change the very reality we experience. The organic and ever changing nature of the visuals is intended to represent that core base of our collective reality. The beautiful abstract motion of reaction-diffusion felt the right fit to communicate that concept. When I was contacted by Max for this project I had been experimenting with a technique of creating animated 2D greyscale image sequences that were then used to drive both 3D displacement as well as material mixes. One side effect of the process is a certain 'banding' that occurs when the bit depth is limited and there is not enough information to have a smooth gradient between the values of black and white, this artefact is usually undesirable, however with the pulsing hypnotic melody of the song I was able lean into it and it became part of the art direction. After the initial displacement maps were created, they were imported into Cinema 4D, where I displaced flat planes and other objects and did countless experiments of mixing and blending the maps and clamping values to drive material mixes based on the topology. Throughout the process I used both Cycles4D and Redshift to render."

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