FASHION

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fashion

00:18

MAFF Loves Hong Kong 🇭🇰: Merry Lamb Lamb for YanYan Knits

Video by FASHION ASIA HK

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fashion

00:17

MAFF Loves Hong Kong 🇭🇰: PabePabe

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fashion

00:11

MAFF Loves Hong Kong 🇭🇰: Chance Official

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fashion

02:23

Robert Wun Couture Fall Winter 2024

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fashion

01:51

BURNT

From Robert Wun's 2012 Graduation collection of the London college of Fashion 2012. ART DIRECTOR/ NAOMI JAMES D.O.P/ JAMES CANAVAN STYLIST/ ANUARK DONOVAN MUA/ TEREZA BILA HAIR/ FLORIAN DOVILLEZ ASSIT.HAIR/ GLORIA PEÑARANDA MODEL/ LEXI @SELECT MUSIC/ NIROSTA STEEL - BURNT MIX BY STEVEN HALL BUDDHIST ARMY RECORDS

06

fashion

00:29

Sandy Liang SS24

07

fashion

08:29

Rhude Spring Summer 2025 "STILL WATER RUNS DEEP"

Casting @lizgoldson_casting Production by @eyesightgroup Hair @JAWARA Make up @morgane_martini

08

fashion

14:08

CHANEL Cruise 2024/25 Show

Carried by a wind of freedom, the CHANEL Cruise 2024/25 show was held at the MAMO, Centre d’art de la Cité radieuse in Marseille. The collection imagined by Virginie Viard combines an underwater reverie with reflections of the sun through embroideries, diving hoods, sequinned jackets and swimwear.

09

fashion

07:24

Sandy Liang Fall Winter 2024 Runway Show

10

fashion

05:58

Inside Thom Browne's Haute Couture Design Studio

In this episode of "The Runway Re-See," host Jose Criales-Unzueta delves deep into the world of haute couture, spotlighting stunning looks from the upcoming show by Thom Browne. Inside the atelier, Jose meets with Thom where he is shown all the pieces that will hit the runway for the upcoming Thom Browne couture show in Paris. “Everything that you see…starts with a muslin,” says Thom as he explains how these garments make it from the page to real-life. One dress, an “unfinished” piece that harkens back to Grecian Olympians, took close to 11,000 hours to complete. Editors: Jeremy Smolik, Evan Allan Producer: Amaury Delcambre Production Coordinator, On Set: Meryl Marciano Assistant Camera: Antoine Balland Audio: Charles Grégoire Production Coordinator, France: Meryl Marciano Production Assistants: Pauline Sarlande, Alban Giraudon Production Coordinators: Ava Kashar, Tanía Jones Production Manager: Natasha Soto-Albors Line Producer: Romeeka Powell Senior Director, Production Management: Jessica Schier Post Production Coordinators: Ian Bryant, Scout Alter VFX Artist: Samuel Fuller Art & Graphics Lead: Léa Kicher Supervising Editor: Erica DeLeo Post Production Supervisor: Alexa Deutsch Associate Director, Post Production: Nicholas Ascanio Director, Content Production: Rahel Gebreyes Senior Director, Programming: Linda Gittleson VP, Digital Video English: Thespena Guatieri Filmed at Auburn Paris, Thom Browne

11

fashion

00:45

Making the LOEWE Puzzle Wallet | Part 1

The geometry of the LOEWE Puzzle bag reconfigured for your pocket, hand-crafted with 18 different pieces of high-quality leather by artisans in our atelier in Madrid.

12

fashion

01:30

SAINT LAURENT - TAN LINES

Under Anthony Vaccarello’s creative direction, the photographer Henrik Purienne captured the hot atmosphere of the season in a series of evocative visuals. An intense mood pervades, with languid hours spent by the pool, tanning on a tennis court, or playing dress up to the sound of old cassette tapes. Under the scorching rays of the sun, a play of light and shadow ensues, as elusive characters hide and emerge, whiling away the endless-seeming days in anticipation of what the evening will bring.

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fashion

Lagos Space Programme - Aṣọ Fashion as Visual Oríkì

Youtube

“Aṣọ (Dress) can be conceived as a visual form of oríkì, as the arrangement of patterns, colours, shapes, and textures on a figure can cohere into a powerful gestalt form–a ‘look’ –that is able to trigger an affective response in the perceiver. The Yoruba terms, ojú-inú (inner eye) and oju-ọnà (design consciousness) respectively refer to the intuitive and technical capacities required by an artist to engineer a visual or verbal oríkì that speaks to the subject’s ìwà, and in doing so releases àṣẹ. Ẹwà, meaning beauty, is the result of a work of art that realizes the art object’s essential nature, its inner character, its ìwà. Accordingly, aesthetic beauty cannot exist separately from a deeper ethical truth–a position that refutes dominant Eurocentric framings of aesthetics. The Lagos Space Programme conceives of clothing as oríkì, combining physical matter (colour and sound), non-physical matter (àṣẹ), and aesthetics (poeticism, rhythm, and proportion) to form resplendent pieces that reflect the ìwà of its wearers”. Text by Kojo Abudu, Five Theses on Lagos Space Programme Model: @michael.samuel_ , @90smodelmgmt

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