#NATURE

01

art

03:16

Ghada Amer, My body, My choice

Ghada Amer’s garden installation takes up the well-known battle cry promoted by the women’s and gender equality movement since the 1970s “my body my choice” and spells each of its letters in a red resin box filled with plants. While over the past fifty years, this tagline has been co-opted by a number of groups around the world with entirely contradictory agendas, Ghada Amer’s garden, like her art in general, reminds us of the early intent of the mantra, that of promoting women’s rights and equality. In an interview with Sahar Amer in April 2022, Ghada Amer states: “In Western societies, there is an assumption, especially among the younger generations, that the battle of the sexes has been won, that women have been liberated, and that their rights are secure. And yet, we are witnessing today a sharp regression of women’s rights and a stark rise of violence against women. However, in countries where one assumes women’s rights to be limited or absent, such as in Egypt, Iran, Afghanistan, or Mexico, women of the younger generation know they have a lot to gain from fighting for those very same rights that are eroding in the West. So they are not letting down their guard and they are continuing to fight fiercely.” The phrases that Ghada Amer sculpts for her garden architecture are similar in that regard to the sentences that she embroiders on her canvases. These sentences are taken from a number of male and female authors from different backgrounds and they are intended to remind us of central teachings and wisdom related to women’s rights. Amer says that “by reading and repeating these sentences, they will hopefully become mantras, incantations that the viewer will end up remembering.” She adds that “women’s rights can never be taken for granted. Women must continuously mobilize, fight, and never let their arduously acquired rights decline, fade away and vanish.”

02

art

00:12

MAFF ♥s 🇬🇪: SEED FLO BURO

03

art

04:54

Wiggliness

Photography by Simón Colombo and Gerónimo Tanoira. With the participation of Bautista Bengolea, Agustín Miles and Pato Carrere. Music and foley by Geronimo Tanoira. Transfer by Leche. Monologue by Alan Watts in "Conversations with myself". Kodak Super 16mm film.

04

art

08:08

CHU - Liquid States

An audiovisual projection-mapping Show. Created for Asia's highest land-art exhibition: Saladakh.The live performance took place on a rock structure, next to the city of Leh in Ladakh. Located in the vast landscape of the Himalayas. The theme of this 8-min-long show is water and its different states. Ladakh is suffering from a water crisis. Either there is too much or not enough water available at all. Light particles hitting metamorphic rocks, granite and lichen. Fluid shapes, flickers and waves flow over the harsh solid surface. (Internationally acclaimed) German light artist Philipp Frank’s work titled ‘Liquid States’ invites us into an unknown and unseen world. His waves of light cover the Himalayan landscape like a comfortable liquid blanket. The waves resemble water. Something elusive in this 50 million-year-old mountainous superstructure, just as Philipp’s artwork itself. With this captivating artwork, Philipp reflects on the increasing water scarcity and our specie's universal dependence on it in a high altitude realm

05

art

05:43

Onishi Yasuaki - vertical emptiness

Onishi Yasuaki uses tree branches, hot glue, and urea for his installation. He uses the glue to connect our ground to an imaginary world. Crystalized urea appears on thin glue lines and in the tree branches. This installation is presently exhibited at the Kyoto Art Center. Music by Suzuki Ryosuke,Kurachi Martha / kurachino Produced by Murayama Kanako

06

art

01:35

WAVES

An experimental Dance Video of two women, that connect with each other and nature through movement and dance. Shot in: Arricam Lt 35mm / emulsion 250d / 10mm standard prime Cooke s4 LOOK AT THINGS DIFFERENT Carla Cervantes Sandra Egido Chelo Natalia Gimenez Cañada Production assistant Alex López Steadicam Operator J.M. Mitchell 1st AC Dani Ocanto 2nd AC Pinky Gaffer Juan Castillo Steadicam assistant Javier Santos García

07

art

02:30

Patagonia ‘Mirador del Sur’

Part-Chilean, part-Argentinian - the territory has no official geographical boundaries; a land defined by stories, antiquated maps & historical discoveries of new lands. Dreaming of crossing Patagonia overland, our adventure took us by foot - hiking Torres del Paine, renting 4x4’s, overnight buses & ferries through the fjords, the Southern-most commuter train in South America & a guy we paid $200 to drive us 8hrs across the border on gravel roads when there were no other means. 5 weeks & almost 3000 miles, across Patagonia. Shot on Fuji XT3

08

art

16:03

A Year Along the Geostationary Orbit

A year through the distant eyes of meteorological satellite Himawari-8 – a hypnotic stream of Earth's beauty, fragility and disasters. Animation of satellite irradiation scan measurements, scientific data by meteorological satellite Himawari-8 courtesy of JMA/BoM/NCI.

09

art

05:02

Great Gardens: Las Pozas, Mexico

Las Pozas (“The Pools”) is a subtropical garden established by twentieth-century British poet Edward James. Soaring out of the Mexican jungle near the town of Xilitla, the gardens are home to enormous concrete works of art that live alongside the tropical landscape.

10

art

04:15

Ascension

An emerging life form must respond to the unstable and unforgiving terrain of a new home.

11

art

01:46

KOREAN MIRRORWORLD

Drone footage shot in South Korea.

12

art

03:46

The Story of Flowers

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