COLLEEN QUIGLEY: The Peculiar Seduction of Scattering Light

Colleen Quigley earned her BFA in Sculpture from the University of the Arts in Philadelphia, Pa., U.S.A., her MFA in Printmaking from Tokyo Geijutsu Daigaku (Tokyo National University of Fine Arts and Music), in Tokyo, Japan, and attended the New York Academy of Art, N.Y, NY, U.S.A. Quigley’s current work covers a broad range of media and includes painting, sculpture/installation, ceramics and encaustic. Her work has been exhibited in Italy, Japan, Singapore, the United States, and the U.A.E. Her current research and areas of interests include post modern strategies of artmaking in relation to themes of originality, materiality, popular culture, and the transcultural flow of objects and memory. Colleen currently resides in Tucson, Arizona in the United States.

二十｜十二

Suezo "Decodia (feat. Miku Hatsune)"

Digitized Forest at the World Heritage Site of Shimogamo Shrine

Digitized Forest at the World Heritage Site of Shimogamo Shrine, Kyoto Art by teamLab

池田亮司 Ryoji Ikeda - (符碼－詩 code-verse)

池田亮司個展 Ryoji Ikeda Solo Exhibition 臺北市立美術館 Taipei Fine Arts Museum 2019/08/10 - 2019/11/17

REFIK ANADOL - MELTING MEMORIES: ENGRAM AS DATA SCULPTURE

Thanks to a close collaboration with the EDP Foundation, L.E.V. Festival resumes programming at the Iglesia de la Laboral with the installation Melting Memories: Engram as data sculpture by Refik Anadol. An exciting project about the materiality of memories and their representation that represents a perfect dialogue between science, art and technology. Refik Anadol, of Turkish origin, living in Los Angeles, is a brilliant audiovisual artist who reconsiders a new aesthetic, technical and dynamic perception of space in his projects.

DAYDREAM V.4

W.O.S light installation for Cartier

NONOTAK - PARALLELS

Christopher Bauder: Dark Matter Berlin

Dark Matter in Berlin is an exhibition that brings together seven expansive light installations that immerse visitors in a world of light, sound and movement. Built across 1,000 square meters of exhibition space, the installations vary from intimate light compositions to room-filling audiovisual performances and interactive walkable and playable sculptures. The seven multi-sensorial installations on display are Liquid Sky, Inverse, Circular, Bonfire, Polygon Playground, Grid, and Tone Ladder. Most of the works are based are created by kinetic lighting, that means suspended lighting elements in various of shapes which are artfully synchronized with the help of computer-controlled motorized winches.

ARRIVAL

Presented at Avant Gardner on December 27-29, 2019.

Shohei Fujimoto - density compression [2020]

Live AV and installation artist Shohei Fujimoto takes the structure of light as the basis for his artworks, translating its physical properties into intricate, evocative visuals. His work has been shown around the world, in galleries in Japan, Switzerland, Iran, Australia and the United States and at festivals including MUTEK.JP, New Media Castle and Berlin Atonal. With density compression [2020], Fujimoto turns his attention towards fundamental behaviours of visible light, focusing on straight lines and reflection. By representing light as a dense network of lines travelling in limited space, the artist renders light as a physical object, allowing him to explore and ultimately change its basic behaviour. The piece is accompanied by an atmospheric score from experimental composer and Raster-Noton affiliate Kyoka.