INTERVIEWS

01

interviews

10:24

The Funniest Girl in NYC

02

interviews

09:52

Darja Bajagić: “My work is a provocative exploration of society”

Darja Bajagić’s work confronts loaded thematic content and recontextualizes history, urging viewers to navigate the complexities of contemporary society through their own interpretations. We met with the artist at the Montenegro Pavilion at the Venice Biennale, in her exhibition It Takes an Island to Feel This Good. An exhibition that reframes the layered history of Mamula Island—a site once used as a fortress, prison, and concentration camp, now transformed into a luxury hotel. Through fragmented archival images and symbolic shapes, Darja Bajagić challenges viewers to confront the tension between historical memory and contemporary reality without offering clear answers. "My goal is to highlight the complexities of the world that we live in," Darja Bajagić explains, "and assert agency to the viewer." Scavenging images from the dark web and state archives, Darja Bajagić explores the tension between what is seen and what is hidden beneath. Through imagery and formal decisions such as shape and composition, she subtly intertwines historical references and contemporary issues through a deliberately disjointed narrative style. The resulting work is intentionally ambiguous, echoing her ongoing theme of obscured and fractured narratives. As an artist, Darja Bajagić resists offering her audience definitive interpretations, instead urging them to engage with the work on their own terms: "I don’t give instruction for the viewer on how to understand the work." Darja Bajagić (B. 1990 in Montenegro) is an artist whose research-based work is known for its provocative exploration of contemporary and historical themes. She splits her time between Chicago and Montenegro. In 2014 she received an MFA from Yale University. Darja Bajagić’s work has been shown at international institutions such as Moderna Museet, Stockholm, Sweden; Hessel Museum of Art, Annandale-οn-Hudson, US); Museum of Modern Art in Warsaw, Poland and Musée d'Art moderne de la Ville de Paris, Franc. In 2024, she represented Montenegro at the Venice Biennale.

03

interviews

02:40

Erik Yvon

Erik Yvon is a Melbourne / Naarm-based fashion designer redefining perceptions of femininity and masculinity. His bold, transeasonal pieces are a dynamic combination of colours, prints, shapes and textures – drawing inspiration from art, his everyday surroundings, and origins in the island of Mauritius. Having completed a Bachelor of Fashion Design at RMIT University in 2014, Erik gained experience training under iconic Australian labels such as Romance Was Born and Neo Dia. From here, he continued to find success in national design competitions such as The Wool Awards and the Australian Fashion Awards. Yvon launched his eponymous label in 2017 with a focus on sustainable and ethical production. Each piece is made to order, and every collections includes collaboration with some of Australia's brightest textile and jewellery designers. His works have a appeared in countless editorials and runways – recently opening the Next Gen Runway at Afterpay Australian Fashion Week (2021). As he continues to expand his reach across the globe, he hopes to continue to share stories of diversity and joy through his incomparable style and personality.

04

interviews

04:33

MICHAEL STANIAK

Michael Staniak’s work concerns the changing dynamics of images and materiality in light of the proliferation of digital culture. Grouped into the post-internet movement, Staniak’s process-oriented paintings explore the relationship between flatness and texture in digital images. To create his paintings, he builds up textural surfaces out of materials such as casting compound that he then sprays with acrylic paint, creating subtle gradients of texture color with minor stippling that evoke the effects of inkjet printers. The work oscillates between a sensation of a flat, screen-mediated image and the rich texture of an analog painting. For Staniak, the life of the painting both as object and image is crucial. “I consider the finished work as a moment in my practice; something to be considered and valued as an object that will ultimately end up as another picture entering the stream of the internet,” he has said.

05

interviews

07:35

Michaela Stark on subverting fashion's body ideals

In this episode of In The Studio With... body inclusive fashion designer Michaela Stark invites us into the creative chaos of her space where she's 'making a new kind of beauty'. Her boundary-pushing attitude is fuelled by “a lot of laughter and fun,” she tells Dazed, as she opens up on working with Beyoncé, the cultural impact of her reimagined Victoria's Secret show and being fuelled by the “body dysmorphia of my entire generation.”

06

interviews

05:59

Timeless Wisdom from 89-Year-Old Investing Legend Ed Thorp

Edward O. Thorp is the author of the bestseller Beat the Dealer, which transformed the game of blackjack. His subsequent book, Beat the Market, coauthored with Sheen T. Kassouf, influenced securities markets around the globe. He is also the author of A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market. Edward was one of the world’s best blackjack players and investors, and his hedge funds were profitable every year for 29 years.

07
Original

interviews

01:20

TAEETIMEE | MAFF chat

“Create art just to create art. Don’t follow whatever’s trendy or be motivated by money. Creating what you love the most is so much more rewarding and fulfilling." For this episode of MAFF chat we dial in with Tae-young K.C, a Korean director and artist who grew up in the Western world. We fell in love with her animation and illustration style which she utilizes to tell stories that resonate with her audience.

08
Original

interviews

01:47

Pelitoz Locos | MAFF Tour Colombia (Episode 4)

For Episode 4 of MAFF Tour Colombia, we head to Bogotá to meet with visual artist, Fabian Rojas, who created the project and alter alias, Pelitoz Locos. Rojas uses hair as a canvas for creativity and shows us the opportunity for self-expression and transformation through styling. Most of all, Pelitoz Locos is about having fun and playing with ones identity while using hair as the medium. Starring models, Vagabunda Frite & Alexa Tmg.

09

interviews

07:47

Chia Amisola, Art & Code Talk at DEMO2024

Chia Amisola is a Filipino internet artist and founder of Developh, a nonprofit community that seeks to promote the use of 'technology as a tool for liberation rather than oppression.

10

interviews

08:19

Sandy Liang: Still Dreaming

New York-based fashion brand Sandy Liang and heritage footwear brand Salomon bring you an exclusive look behind the scenes at their latest collaboration. In this episode of Salomon TV, Liang takes us on an exclusive journey behind the scenes of her upcoming SS24 collection, allowing us a glimpse into her creative journey, her relationship with New York and the synergies that drew her to partner with Salomon.

11

interviews

08:54

Inside the Family-Run Chrome Hearts Factory Filled With Wonderful Objects

“I just think we are in a big artistic zone for everybody,” Jesse Jo Stark, daughter of Chrome Hearts founder Richard Stark, says of the brand’s factory in Hollywood. Inside you’ll find a music rehearsal studio, a kitchen, a living space with couches, and countless amounts of clothing racks within the warehouse which stretches three Los Angeles city blocks. The Stark women—including Jesse Jo, Frankie Belle, and their mother and Chrome Hearts co-owner Laurie Lynn Stark—give us a tour of the brand’s factories and their favorite objects within. Director: Nina Ljeti Director of Photography: Stephen Tringali Editor: Estan Esparza Producer: Gigi Chavarria Associate Producer: Lea Donenberg Associate Producer, on-set: Emebeit Beyene Assistant Camera: Melanie Adams Gaffer: Bailey Clark Sound: Gloria Marie Production Assistants: Brock Spitaels, Daniel Neumann Production Coordinator: Ava Kashar Production Manager: Natasha Soto-Albors Line Producer: Romeeka Powell Senior Director, Production Management: Jessica Schier Assistant Editor: Billy Ward Post Production Coordinator: Ian Bryant Supervising Editor: Erica DeLeo Post Production Supervisor: Alexa Deutsch Director, Content Production: Rahel Gebreyes Senior Director, Programming: Linda Gittleson Executive Producer: Ruhiya Nuruddin VP, Digital Video English: Thespena Guatieri

12

interviews

11:21

Obsession with your online identity

Emma Chamberlain calls it out.

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interviews

Emma Talbot: Telling the Stories of Our Times

Youtube

“My work is really about a very personal experience of being alive at this period of time.” We visited Emma Talbot in her studio in London, to talk about how she transforms the intangible realms of thought and emotion into tangible expressions on silk canvases. As she introduces herself in the opening moments of our conversation, Talbot articulates her artistic project as an exploration of stories that echo the zeitgeist. Touching on big contemporary issues, such as societal structures, and our relationships with technology, ecology and nature, Talbot describes her art as an interrogation of the human condition: “the brevity and fragility of life itself; what is given value and worth, what is memorialised, and the inevitable experiences of love and grief.” Talbot's artistic repertoire spans from paintings on silk to animations and drawings. The latter always works as her starting point: “I developed a practice in which I start withdrawing, and I let myself draw whatever comes to mind without really trying to direct the subject of the drawings or what they're exploring so that I can see what it is I'm thinking.” Yet, it's only after a phase of deep research - online, through reading, or by seeking diverse forms of knowledge - that she refines and enriches these raw expressions into motives and narratives. In her winning proposal for the Max Mara Art Prize for Women, Talbot took as a starting point her fascination with Gustav Klimt’s painting Three Ages of Woman (1905), which features a naked elderly woman standing in apparent shame. In her mind, the woman looked like a future version of Talbot herself, and so the figure became an avatar to tackle some of the contemporary issues that Talbot addresses in her practice. Talbot's pivot to using silk as a canvas reflects a profound quest for artistic freedom. Influenced by writers like Hélène Cixous, who explored finding one's own voice in writing, Talbot sought an equivalent liberation in her visual language. The ethereal qualities of silk offered the flexibility she craved - something drapable, cuttable, and wearable - a material that could carry the weight of ideas without becoming burdened by historical constraints. Her intricate process of painting on silk involves a delicate balance, where fluidity meets substance, allowing her to control the marks on the surface while embracing the material's inherent delicacy. The resulting large-scale paintings, described by Talbot as "collages of ideas," become immersive experiences, inviting viewers into a dialogue with the intricate narratives within. Emma Talbot (b.1969) studied at the Birmingham Institute of Art & Design and Royal College of Art. Her work was showcased at the 59th International Art Exhibition – La Biennale di Venezia as part of the exhibition ’Milk of Dreams.’ In 2022, she was awarded the Max Mara Art Prize for Women, which cumulated in the exhibition The Age / L’Età shown in Collezione Maramotti in Reggio Emilia and Whitechapel Gallery in London. Talbot's exhibition history includes solo shows such as “The Human Experience” (2023) at Kunshtall Stavanger ’In the End, the Beginning’ (2023) at Kesselhaus, KINDL, Berlin, "When Screens Break" at Eastside Projects in Birmingham (2020), ’Ghost Calls’ at DCA in Dundee (2020), and ’Sounders of The Depths’ at GEM Kunstmuseum in The Hague, Netherlands (2019-20). Noteworthy exhibitions also include ’Woman-Snake-Bird’ at Galerie Onrust in Amsterdam (2018) and ’The World Blown Apart’ at the same gallery in 2017. Her recent work ‘Seeds Grow in Fertile Ground (Every Thought is an Opening)’ (2023) was featured in the group exhibition ‘Irreplaceable Human? The Conditions of Creativity in the Age of AI’ at Louisiana Museum of Modern Art. Her work has found a home in collections worldwide, including Guerlain in Paris, British Council Collection, Arts Council Collection, City of Birmingham Museum & Art Gallery, David Roberts Collection, Saatchi Collection, University of the Arts London, Art Gallery of Western Australia in Perth, Fries Museum NL, and Arnhem Museum NL. Emma Talbot was interviewed by Nanna Rebekka in her studio in London in April 2023. Camera: Alex Newton Edited and produced by: Nanna Rebekka

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