INTERVIEWS

01

interviews

17:00

MAFF Loves Iman Le Caire

02

interviews

40:30

Airbnb CEO: “Airbnb Was Worth $100 BILLION & I Was Lonely & Deeply Sad!”

If you enjoyed hearing from Brian Chesky about the highs and lows of creating the world’s biggest brands.

03

interviews

13:29

Ask Me Anything | ISAMAYA FFRENCH

British makeup artist Isamaya Ffrench has carved out a reputation as one of the most innovative voices in the business with an approach that is far from standard soft glam. From her early days exploring body painting while working at a theater company to creating three-dimensional, prosthetic designs, she has redefined the boundaries of makeup as a medium, taking it to heights once unconceived outside of hours-long sessions in Hollywood. Her collaborations with industry titans like Mert & Marcus and Steven Klein further honed her understanding of lighting, beauty, and storytelling while also instilling in her the confidence to approach beauty on her own terms. That essential foundation had led her to collaborations with major fashion publications, including Dazed, i-D, W, and Vogue while consulting for a heavy-hitting list of brands before she finally decided to go out on her own two years ago. Ffrench’s eponymous makeup brand, ISAMAYA, is known for its provocative and boundary-pushing themes–whether it’s BDSM-inspired designs or daringly phallic-shaped lipstick—and challenges traditional notions of beauty and censorship. Through her work, both on set and in product creation, Ffrench continues to push the conversation forward, proving that beauty is not just an aesthetic but a powerful tool for self-expression and cultural critique. Shot by Kloss Films in London, Models.com spoke to the artist at home to discuss her progressive brand, her impressive collaborations, and her unconventional approach to beauty.

04

interviews

21:21

why no one picks you

05
Original

interviews

01:25

Ines Alpha | MAFF chat pt. 1

06

interviews

25:32

Jacquemus: A Coming of Age Story

The designer joined BoF founder and CEO Imran Amed on stage at BoF VOICES 2024 to share how he has built a successful independent business in such a competitive environment, understand his plans for the future and settle some of the rumours and speculation. When Simon Porte Jacquemus came on to the scene in 2009, he did so with a bang. The French designer’s playful take on Parisian fashion draws inspiration from 20th century sculpture, the French New Wave, and sunny afternoons in Marseille. His creations have catapulted him and his label into stardom, with the brand’s campaigns often going viral on social media. “It’s [all about] having fun,” said Jacquemus. “Having fun is being creative, it's going one step aside and it's playing with the system.”

07

interviews

02:50

Isabelle Huppert’s Closet Picks

The legendary actor returns to the Criterion Closet, where she shares her love for independent American gems such as Barbara Loden’s WANDA and Michael Roemer’s NOTHING BUT A MAN, talks about Roberto Rossellini’s work with Ingrid Bergman, and selects Italian cinema classics I KNEW HER WELL and JULIET OF THE SPIRITS.

08

interviews

01:40

Erményi Mátyás: Books I should have read

ACB Gallery (Budapest) in collaboration with animation director Máté Fillér related to the latest solo exhibition of painter Mátyás Erményi entitled "Books I Should Have Read". Narrator: Mátyás Erményi Interview, translation: Zsolt Miklósvölgyi Special thanks to Kata Balázs and András Heszky

09

interviews

10:02

BHAGYA SIVARAMAN

Sivaraman is a creative coach, self-taught inter-disciplinary artist, and an entrepreneur. She runs her own creative business in the combination of Healing, Fine, and Wearable arts. Her wearable art form sees the creation of contemporary handmade jewellery that is unique, created with intention and intuition to champion for unapologetic self- expression. Sivaraman uses polymer clay as a medium to fiercely express her love and curiosity for innumerable shapes and colours in the form of modern-day statement jewellery. Playing with clay also serves as her personal restorative practice of the mind.

10

interviews

44:34

In Your Face: Interview: Ryder Ripps

Ryder Ripps is an American conceptual artist, programmer, and creative director.

11

interviews

10:17

Joan Rivers finds humor in being yourself

On November 16, 2006, Joan Rivers spoke about her experience as a female comic in the early 60s and finding her comedic voice. Interview conducted by director Michael Kantor for the six-hour PBS comedy series, “Make ‘Em Laugh: The Funny Business of America” (2009).

12

interviews

10:24

The Funniest Girl in NYC

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interviews

Emma Talbot: Telling the Stories of Our Times

Youtube

“My work is really about a very personal experience of being alive at this period of time.” We visited Emma Talbot in her studio in London, to talk about how she transforms the intangible realms of thought and emotion into tangible expressions on silk canvases. As she introduces herself in the opening moments of our conversation, Talbot articulates her artistic project as an exploration of stories that echo the zeitgeist. Touching on big contemporary issues, such as societal structures, and our relationships with technology, ecology and nature, Talbot describes her art as an interrogation of the human condition: “the brevity and fragility of life itself; what is given value and worth, what is memorialised, and the inevitable experiences of love and grief.” Talbot's artistic repertoire spans from paintings on silk to animations and drawings. The latter always works as her starting point: “I developed a practice in which I start withdrawing, and I let myself draw whatever comes to mind without really trying to direct the subject of the drawings or what they're exploring so that I can see what it is I'm thinking.” Yet, it's only after a phase of deep research - online, through reading, or by seeking diverse forms of knowledge - that she refines and enriches these raw expressions into motives and narratives. In her winning proposal for the Max Mara Art Prize for Women, Talbot took as a starting point her fascination with Gustav Klimt’s painting Three Ages of Woman (1905), which features a naked elderly woman standing in apparent shame. In her mind, the woman looked like a future version of Talbot herself, and so the figure became an avatar to tackle some of the contemporary issues that Talbot addresses in her practice. Talbot's pivot to using silk as a canvas reflects a profound quest for artistic freedom. Influenced by writers like Hélène Cixous, who explored finding one's own voice in writing, Talbot sought an equivalent liberation in her visual language. The ethereal qualities of silk offered the flexibility she craved - something drapable, cuttable, and wearable - a material that could carry the weight of ideas without becoming burdened by historical constraints. Her intricate process of painting on silk involves a delicate balance, where fluidity meets substance, allowing her to control the marks on the surface while embracing the material's inherent delicacy. The resulting large-scale paintings, described by Talbot as "collages of ideas," become immersive experiences, inviting viewers into a dialogue with the intricate narratives within. Emma Talbot (b.1969) studied at the Birmingham Institute of Art & Design and Royal College of Art. Her work was showcased at the 59th International Art Exhibition – La Biennale di Venezia as part of the exhibition ’Milk of Dreams.’ In 2022, she was awarded the Max Mara Art Prize for Women, which cumulated in the exhibition The Age / L’Età shown in Collezione Maramotti in Reggio Emilia and Whitechapel Gallery in London. Talbot's exhibition history includes solo shows such as “The Human Experience” (2023) at Kunshtall Stavanger ’In the End, the Beginning’ (2023) at Kesselhaus, KINDL, Berlin, "When Screens Break" at Eastside Projects in Birmingham (2020), ’Ghost Calls’ at DCA in Dundee (2020), and ’Sounders of The Depths’ at GEM Kunstmuseum in The Hague, Netherlands (2019-20). Noteworthy exhibitions also include ’Woman-Snake-Bird’ at Galerie Onrust in Amsterdam (2018) and ’The World Blown Apart’ at the same gallery in 2017. Her recent work ‘Seeds Grow in Fertile Ground (Every Thought is an Opening)’ (2023) was featured in the group exhibition ‘Irreplaceable Human? The Conditions of Creativity in the Age of AI’ at Louisiana Museum of Modern Art. Her work has found a home in collections worldwide, including Guerlain in Paris, British Council Collection, Arts Council Collection, City of Birmingham Museum & Art Gallery, David Roberts Collection, Saatchi Collection, University of the Arts London, Art Gallery of Western Australia in Perth, Fries Museum NL, and Arnhem Museum NL. Emma Talbot was interviewed by Nanna Rebekka in her studio in London in April 2023. Camera: Alex Newton Edited and produced by: Nanna Rebekka

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