Lee Lozano with Dr Jo Applin

Jo Applin gives an insight into both Lee Lozano’s life and her work, contextualizing her practice and highlighting her response to the constraints of constitutional systems, gender dynamics, power, money, and politics. Created in 1962–1963, the early paintings and drawings on view at Hauser & Wirth Somerset use airplanes as a central image and can be considered as examples of the artist’s passionate exploration of creative energy in its purist form. This focused body of early work exposes a complex and deeply intimate inner life grappling with one-sided gender and societal dichotomies, while other works display a form of ferocious humour and playfulness, exploiting the rhetoric of exaggeration to its most cogent effect. Her raw expressionist brush strokes create powerful works imbued with a very personal iconography, including genitals, religious symbols, tools and body parts. Lozano’s short lived but influential career remains a source of fascination, lauded by Lucy Lippard as the foremost female conceptual artist of her era in New York.

MAFF Market New York 🇺🇸: Courtney Kinnare

Courtney Kinnare is an abstract artist based out of Brooklyn, New York. Her abstract works are made from deadstock materials found on the streets of NYC. She fills her designs with hyper-color palettes rarely observed in the everyday life.

The Films of Andy Warhol | Live from the Whitney

To celebrate the publication of The Films of Andy Warhol Catalogue Raisonné, 1963–1965, Volume 2, this program illuminates Andy Warhol’s practice as a filmmaker, exploring the relationship between his films and his work in other media, and the importance of his films to twentieth-century art history. John G. Hanhardt, general editor of The Films of Andy Warhol Catalogue Raisonné, 1963–1965, and former Curator and Head of Film and Video at the Whitney, will be joined by film scholar Bruce Jenkins and filmmaker Tom Kalin, contributors to the catalogue raisonné, to speak about the history of Warhol’s engagement with cinema and to share insights into why Warhol's films have been influential for generations of artists while also remaining largely unknown until now.

FUTURE GLOSS

3D makeup for korean actress Asung Ko. Music by Disasterpiece, sound design by Panteros666.

ines alpha for H&M

Added some 3D magic world on H&M's Billie Eilish's merch campaign in collaboration with Studio Bon �Imagining a near future where we are surrounded by friendly and colourful blobs �It was soooo interesting to be the 3D artist and designer adding that extra magic on this project ✨ Concept & art direction @studiobon Photography & director @the_fridamarklund Post production @mathematic.tv Stylist @annafernandezlgb Set designer @joeljunsjo Models @imansukalo @casseychanel

The Emotion Industry

The Emotion Industry is the pairs audio visual comment on the modern digital landscape and its influence - “There is an unfathomable power to blur reality as we know it. The ability to discern what’s real and what’s not is becoming increasingly difficult - social media super computers using data points to push your buttons for manufacturing consent, Ai articles and deep fake images add to the illusion. The ability too really ‘see’ the objective reality of what’s been created is the new enlightenment” We aim to use the most modern cutting edge techniques available to us. Sometimes embracing the errors and inconsistencies in the knowledge that when the “bugs” are ironed out and the tech made smooth these errors will be lost forever. Capturing the spaces in between advancement is an essential archive to advancement. Yesterday’s idiosyncrasies are today’s nostalgia. Recorded between London, L.A, and Canada using tape and vintage analogue equipment - Emotion industry is a narrative reflecting on sense of self, and identity in the digital realm - a visual album of dream logic scored through the lens of Afro Futurism, Asian Industrial electronica, Sound System music, Post Rave and Dub. Spatial Awareness Recordings

Jia Aili: In the Studio | Gagosian Quarterly

This video, which was published on "Gagosian Quarterly" in 2021, presents a behind-the-scenes look at Jia Aili’s studio in Beijing. He elaborates on his in-progress works, the complexity of his compositions, as well as his philosophies of and motivations for painting Artwork © Jia Aili Studio; director: Chen Lei; cinematography: Li Yafeng; editor (Chinese): Li Mo; editor (English): Ariel Roubinoff; Jia Aili studio coordination: Zhiyuan Wang

MAFF Premiere: FLUTTER

Flutter is an experimental ambient track for acoustic cello and electronics by MIZU, from her upcoming album Forest Scenes - releasing 3/22. “Flutter” celebrates and juxtaposes themes of exploration within constraint, limitlessness within seeming limits, and the resilience of independent voices against unknown textures. Exploring the dynamics between contrasting elements (symbolized by the characters of White and Black), within the atmospheric presence of a cello, we embark on a quest for understanding through movement and performance. Embodied by two queer Asian performers, the journey is an ode to self-acceptance and transformation. A lone cello, elevated to the status of a spiritual object, acts as a silent witness and catalyst, summoning the protagonists together within a mysterious void space. In the later shift to the reality world, we are revealed to be within an empty rehearsal studio, where the characters’ movements echo from prior, reaching for an ever unattainable ideal. The void space and its real-world parallel become a figurative forest, spaces for exploration of self through elements of performance and movement. The video charts the personal connections to performance of both protagonists; MIZU’s musical origins lying within the realms of musical theater, and Zhou’s current experimental practice being rooted within their drama background. Bringing together two performers of diverse practices, “Flutter” is an ode to the mysterious magic within the crossroads of the world of theater. 2nd AC / Trainee - Noah Gravillis Gaffer - Ian Chen Grip - Aldo Vassallo Wardrobe - Alice Seon Makeup Artist - Shamis McGillin Editor - Mason CW Graphic Design - Daedalus Li Song Credits Composed, performed, and recorded by: MIZU Mixing and additional production: Ariel Loh Mastered by: Taylor Deupree/12k Mastering @ Additional production: Ben Shirken

MAFF Tour: Save the Dogs - Protectora de Animales de Maldonado

We are saving a homeless dog shelter in Uruguay with the local creative community. https://linktr.ee/arteabeneficio

Yves Klein – Anthropometries

Yves Klein used naked women as 'human paintbrushes' to make his 'Anthropometry' paintings, which were produced as elaborate performances in front of an audience. Klein, in bow-tie and suit, would conduct the women as they covered themselves in paint (a colour he patented as 'International Klein Blue') and made imprints of their bodies, whilst musicians played his 'Monotone Symphony' -- a single note played for twenty minutes, followed by twenty minutes of silence. TateShots talked to Elena Palumbo-Mosca, who modelled for Klein, and who appears in footage of one such performance currently being shown in the exhibition A Bigger Splash: Painting after Performance, at Tate Modern.

Marina Abramovic and Ulay - A Minute of Silence / The Artist is Present

At the MoMA 2010.. where else.

Neon Lights Love Heart Tunnel Background