ART

01

art

04:54

Wiggliness

Photography by Simón Colombo and Gerónimo Tanoira. With the participation of Bautista Bengolea, Agustín Miles and Pato Carrere. Music and foley by Geronimo Tanoira. Transfer by Leche. Monologue by Alan Watts in "Conversations with myself". Kodak Super 16mm film.

02

art

08:23

Jeppe Hein, Today I feel like …

Jeppe Hein’s workshop Today I feel like ... involves children taking part in a series of simple breathing exercises, after which they will be asked to paint how they feel. By encouraging participants to pause and reflect on their emotions, Today I feel like... invites all of us––children and adults alike––to share our feelings more openly, ultimately leading to better mental health outcomes as well as a stronger sense of community.

03

art

02:34

A SHOT IN THE FOOT

"We shot an experimental fashion visualizer on 16mm & 35mm film. This project was originally conceptualized as a metaphor for my angst as a freelance artist, in all its chaos and uncertainty. I believe in powerful yet vulnerable storytelling for women, of women, and by women." The story follows an Asian girl assassin who operates only at night. She is quick and innovative, and what she does, she does best: she’s a killer. But she flies a bit too close to the sun; she grows careless, she parties too hard, and the thrill of the money eclipses the risk of danger. She gets sloppy, but the jobs keep coming, and there is no one except herself to clean up the mess she leaves behind.

04

art

03:51

The Jagged Drama of Clyfford Still’s Paintings

Sotheby’s Chairman Lisa Dennison explores the striking forms and chromatic intensity and of Clyfford Still’s PH144 (1947-Y-No.1). With its forceful combination of deep black, bright yellow and crimson red, this monumental work embodies everything that Still stood for as an artist and was notably selected by Still himself for inclusion in his seminal 1959 exhibition Paintings by Clyfford Still.

05

art

03:06

Bon - Pantheon - Flora 4k

"We wanted to create a record using samples from recordings we created ourselves that were calm, romantic and had a natural, timeless feel. Something weathered and low-fi, but Hi-Fi and complete all at the same time. Something with the spirit of a well-loved worn-out cassette but using cutting edge production techniques. Hiss, noise and distortion are all treated here as instruments in these compositions. Asking the questions "What is quality, perfection and character and what do these words mean to us". We took our own recordings and manipulated them, letting them evolve through the technology, reflecting the cyclical and evolutionary nature of all creative processes."

06

art

04:18

Cédric Kouassi Tchinan

Cédric Kouassi Tchinan is an artist based in the Ivory Coast whose paintings have been exhibited nationally. His vivid optical art-inspired works speak of the spirit and of reflection. In addition, Tchinan explores themes relating to "odyssey", which represents our life journeys. He believes that although the path is difficult, it can also be viewed as a game that we can learn valuable lessons from.

07

art

03:13

Lee Lozano with Dr Jo Applin

Jo Applin gives an insight into both Lee Lozano’s life and her work, contextualizing her practice and highlighting her response to the constraints of constitutional systems, gender dynamics, power, money, and politics. Created in 1962–1963, the early paintings and drawings on view at Hauser & Wirth Somerset use airplanes as a central image and can be considered as examples of the artist’s passionate exploration of creative energy in its purist form. This focused body of early work exposes a complex and deeply intimate inner life grappling with one-sided gender and societal dichotomies, while other works display a form of ferocious humour and playfulness, exploiting the rhetoric of exaggeration to its most cogent effect. Her raw expressionist brush strokes create powerful works imbued with a very personal iconography, including genitals, religious symbols, tools and body parts. Lozano’s short lived but influential career remains a source of fascination, lauded by Lucy Lippard as the foremost female conceptual artist of her era in New York.

08
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art

00:10

MAFF Market New York 🇺🇸: Courtney Kinnare

Courtney Kinnare is an abstract artist based out of Brooklyn, New York. Her abstract works are made from deadstock materials found on the streets of NYC. She fills her designs with hyper-color palettes rarely observed in the everyday life.

09

art

22:17

The Films of Andy Warhol | Live from the Whitney

To celebrate the publication of The Films of Andy Warhol Catalogue Raisonné, 1963–1965, Volume 2, this program illuminates Andy Warhol’s practice as a filmmaker, exploring the relationship between his films and his work in other media, and the importance of his films to twentieth-century art history. John G. Hanhardt, general editor of The Films of Andy Warhol Catalogue Raisonné, 1963–1965, and former Curator and Head of Film and Video at the Whitney, will be joined by film scholar Bruce Jenkins and filmmaker Tom Kalin, contributors to the catalogue raisonné, to speak about the history of Warhol’s engagement with cinema and to share insights into why Warhol's films have been influential for generations of artists while also remaining largely unknown until now.

10

art

00:27

FUTURE GLOSS

3D makeup for korean actress Asung Ko. Music by Disasterpiece, sound design by Panteros666.

11

art

00:44

ines alpha for H&M

Added some 3D magic world on H&M's Billie Eilish's merch campaign in collaboration with Studio Bon �Imagining a near future where we are surrounded by friendly and colourful blobs �It was soooo interesting to be the 3D artist and designer adding that extra magic on this project ✨ Concept & art direction @studiobon Photography & director @the_fridamarklund Post production @mathematic.tv Stylist @annafernandezlgb Set designer @joeljunsjo Models @imansukalo @casseychanel

12

art

45:57

The Emotion Industry

The Emotion Industry is the pairs audio visual comment on the modern digital landscape and its influence - “There is an unfathomable power to blur reality as we know it. The ability to discern what’s real and what’s not is becoming increasingly difficult - social media super computers using data points to push your buttons for manufacturing consent, Ai articles and deep fake images add to the illusion. The ability too really ‘see’ the objective reality of what’s been created is the new enlightenment” We aim to use the most modern cutting edge techniques available to us. Sometimes embracing the errors and inconsistencies in the knowledge that when the “bugs” are ironed out and the tech made smooth these errors will be lost forever. Capturing the spaces in between advancement is an essential archive to advancement. Yesterday’s idiosyncrasies are today’s nostalgia. Recorded between London, L.A, and Canada using tape and vintage analogue equipment - Emotion industry is a narrative reflecting on sense of self, and identity in the digital realm - a visual album of dream logic scored through the lens of Afro Futurism, Asian Industrial electronica, Sound System music, Post Rave and Dub. Spatial Awareness Recordings

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art

Sugar Walls Teardom

Youtube

Tabita Rezaire researches technology politics, the legacies of colonialism, and methods of self-actualization by connecting ancient knowledge systems with new technologies and quantum physics through, among others, spiritual technologies such as Kemetic yoga and sound healing. In her installation Sugar Walls Teardom, exhibited at AB6, she explores how bodies, and the womb especially, have been exploited historically and continue to be subjected to control exerted by the medical-legal-industrial complex through today. The work comprises a pink gynaecologist chair and points to medical research conducted on unconsenting enslaved women, such as the series of experiments the Alabama surgeon Dr. J Marion Sims performed on enslaved African women between 1845 and 1849. Rezaire’s examination chair celebrates the contribution of Black women’s wombs in the history of science. According to the artist, nature and the womb are the original technology, yet colonial and capitalist exploitation have caused a disconnection between the body and the self. Sugar Walls Teardom addresses the exclusion of Black women from the dominant narrative of technological progress and the simultaneous exploitation of their bodies for so-called scientific achievements.

Tabita Rezaire is infinity incarnated into an agent of healing, who uses art as a mean to unfold the soul. Her cross-dimensional practices envision network sciences - organic, electronic and spiritual - as healing technologies to serve the shift towards heart consciousness. Navigating digital, corporeal and ancestral memory as sites of struggles, she digs into scientific imaginaries to tackle the pervasive matrix of coloniality and the protocols of energetic misalignments that affect the songs of our body-mind-spirits. Inspired by quantum and cosmic mechanics, Tabita’s work is rooted in time-spaces where technology and spirituality intersect as fertile ground to nourish visions of connection and emancipation. Through screen interfaces and collective offerings, her digital healing and energy streams remind us to access our own inner data center, to bypass western authority and download directly from source. Tabita is based in Cayenne, French Guyana. She has a Bachelor in Economics (Fr) and a Master of Research in Artist Moving Image from Central Saint Martins (Uk). Tabita is a founding member of the artist group NTU, half of the duo Malaxa, and the mother of the energy house SENEB.

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