#SOUND

01

art

45:57

The Emotion Industry

The Emotion Industry is the pairs audio visual comment on the modern digital landscape and its influence - “There is an unfathomable power to blur reality as we know it. The ability to discern what’s real and what’s not is becoming increasingly difficult - social media super computers using data points to push your buttons for manufacturing consent, Ai articles and deep fake images add to the illusion. The ability too really ‘see’ the objective reality of what’s been created is the new enlightenment” We aim to use the most modern cutting edge techniques available to us. Sometimes embracing the errors and inconsistencies in the knowledge that when the “bugs” are ironed out and the tech made smooth these errors will be lost forever. Capturing the spaces in between advancement is an essential archive to advancement. Yesterday’s idiosyncrasies are today’s nostalgia. Recorded between London, L.A, and Canada using tape and vintage analogue equipment - Emotion industry is a narrative reflecting on sense of self, and identity in the digital realm - a visual album of dream logic scored through the lens of Afro Futurism, Asian Industrial electronica, Sound System music, Post Rave and Dub. Spatial Awareness Recordings

02

art

04:24

MAFF Premiere: FLUTTER

Flutter is an experimental ambient track for acoustic cello and electronics by MIZU, from her upcoming album Forest Scenes - releasing 3/22. “Flutter” celebrates and juxtaposes themes of exploration within constraint, limitlessness within seeming limits, and the resilience of independent voices against unknown textures. Exploring the dynamics between contrasting elements (symbolized by the characters of White and Black), within the atmospheric presence of a cello, we embark on a quest for understanding through movement and performance. Embodied by two queer Asian performers, the journey is an ode to self-acceptance and transformation. A lone cello, elevated to the status of a spiritual object, acts as a silent witness and catalyst, summoning the protagonists together within a mysterious void space. In the later shift to the reality world, we are revealed to be within an empty rehearsal studio, where the characters’ movements echo from prior, reaching for an ever unattainable ideal. The void space and its real-world parallel become a figurative forest, spaces for exploration of self through elements of performance and movement. The video charts the personal connections to performance of both protagonists; MIZU’s musical origins lying within the realms of musical theater, and Zhou’s current experimental practice being rooted within their drama background. Bringing together two performers of diverse practices, “Flutter” is an ode to the mysterious magic within the crossroads of the world of theater. 2nd AC / Trainee - Noah Gravillis Gaffer - Ian Chen Grip - Aldo Vassallo Wardrobe - Alice Seon Makeup Artist - Shamis McGillin Editor - Mason CW Graphic Design - Daedalus Li Song Credits Composed, performed, and recorded by: MIZU Mixing and additional production: Ariel Loh Mastered by: Taylor Deupree/12k Mastering @ Additional production: Ben Shirken

03

art

00:44

The Other Side of Hope Tour 2024

One night, a chase… video by tibetyoghurtninha vj set: Vj Suave Presented by @NomadCityRecords •The Other Side of Hope Tour 2024 Mola Oddity is a creative project centered around Birdy K, Yider, and Asr. They liken themselves to deep-sea creatures (Mola), possessing unique traits (Oddity) and the absorbent capability to digest a variety of influences, transforming the world's absurdities into peculiar tales. Mola Oddity's 2024 tour, titled "The Other Side Of Hope," features drummer Zhitong, guitarist E.o, DJ Guan, and VJ SUAVE;(drummer Leon & guitarist Thomas Lamb in Guangzhou) . The created melodies unfold like a flight encountering small air currents, inducing turbulence with dissonant notes at unexpected moments, yet leaving a sense of anticipation. The slightly offbeat laid-back rhythms maintain a delicate balance akin to walking a tightrope, allowing space for breath. Whether it's the exotic plucked melodies with tremolo reverberations or the pulsating Techno rhythms, in Mola Oddity's world, every element has its chance to take form. Listen with a childlike heart, and you'll discover a myriad of quirky sonic toys in their treasure trove.

04

art

11:00

Jacques - LIMPORTANCEDUVIDE

Management - Fanny Tardy & Etienne Piketty Production Assistant - Judith Berrebi, Astrid Issaverdens 1st AC - Mica Albanese 2nd AC - Renata Juncadela, Adrien Savary Starring - Alexandre Gain, Kamel Ziri, Micheline Roussel, Cédric Steffens Camera : RVZ

05

art

00:25

GAMMA

06

art

00:08

Brian Eno's Turntable II

English musician Brian Eno revives his color-changing neon turntable for the second time, along with its acrylic LED lights and rhythmic shifting colorscapes. The launch of Turntable II by Brian Eno goes hand-in-hand with a chance to see it in person at the Paul Stolper Gallery. Brian Eno’s neon design doubles as a sculpture when it doesn’t play a record, creating an atmospheric vibe wherever it is placed, just like his musical works.

07

art

17:46

The Rise of Trap Music in China (Chengdu)

Welcome to Chengdu in Sichuan province, where the hip-hop is hotter than its food. In the first part of The Rise of Trap in Southwest China, we head to Chengdu to speak to the Higher Brothers, China's hottest hip-hop export. Ty. shares the secrets behind several popular songs. While Chengdu's most famous rapper, Xie Di, goes deep in his thoughts on China's scene. Trap has broken the Chinese wall, and the two hottest trap scenes are the two largest cities in western China - Chengdu and Chongqing. VICE goes to Chengdu and Chongqing to check out two of the most influential music labels - CDC (aka Chengdu Rap House) and GO$H MUSIC - to explore the realm of dialect rap and a new generation of hip-hop lifestyle and values. Our host Wes Chen, a veteran in the scene who has hosted a Chinese hip-hop radio show for over a decade, shares his knowledge of the hottest music and evolution of hip-hop in China. Chengdu vs Chongqing: Which will emerge as the reigning city of Chinese hip-hop?

08

art

00:42

Can't Help Falling In Love on a Kalimba

09

art

01:17

KMRU – Sampling broken instruments

10

art

03:05

PULL&BEAR AR large-scale music show starring Sen Senra

Tech, fashion and music come together in this large-scale AR music show starring artist Sen Senra. A never-before-seen experience that leverages the latest Google Geolocation API to anchor the augmented reality content to Pull&Bear’s new flagship facade.

11

art

04:29

LEARNING HOW TO USE A MODULAR with Pilar Zeta

"Today I am going to show you how to get the best out of your Bipolar Rotosequencer! Enjoy!" -Pilar Zeta

12

art

10:19

二十|十二

Suezo "Decodia (feat. Miku Hatsune)"

Load More

art

Shohei Fujimoto - density compression [2020]

Youtube

Live AV and installation artist Shohei Fujimoto takes the structure of light as the basis for his artworks, translating its physical properties into intricate, evocative visuals. His work has been shown around the world, in galleries in Japan, Switzerland, Iran, Australia and the United States and at festivals including MUTEK.JP, New Media Castle and Berlin Atonal. With density compression [2020], Fujimoto turns his attention towards fundamental behaviours of visible light, focusing on straight lines and reflection. By representing light as a dense network of lines travelling in limited space, the artist renders light as a physical object, allowing him to explore and ultimately change its basic behaviour. The piece is accompanied by an atmospheric score from experimental composer and Raster-Noton affiliate Kyoka.

This website uses cookies.
By using this website and it's content, you accept these cookies.
Learn More