Rachel Rossin on the Journey to Self-Creation

“All art is like timekeeping.” Meet the multi-talented Rachel Rossin from New York, whose practice spans from painting to programming. Rachel Rossin started working with computers at the age of four and taught herself programming at five. Today, she reflects upon AI and developments beyond, for example, new ways of connecting humans to machines. At the same time, she sees art as one of the oldest and noblest expressions of being human. “It’s making traces of our time here. It’s like timekeeping. It’s a record of the artist’s time. Especially paintings and paintings with their expressionistic marks where you stand in the same place the artist stood. You are looking at a core sample of evidence of the trace the artist’s body made through time and space. I think we will have that as long as we exist. It’s just so precious and perfect.” Rachel Rossin, formed by her readings of the Bible during childhood, sees life as an ongoing journey to self-creation, a type of distilling over and over again: “I think that people that love life the most are the ones that are the most aware of death. It’s so brief. I want to be engaged and as present as I can. It feels like there is a spiritual calling to making art.” Rachel Rossin (b. 1987, Florida, USA) is an internationally recognised artist whose multidisciplinary practice synthesises painting, computer programming, video, built electronics, sculpture, installation, and new media to create works that address the phenomenological effects of technology on daily life. She currently lives and works in New York City, New York, USA. The New York Times has stated, “Ms. Rossin has achieved something, forging a connection between abstract painting and augmented perception that opens up a fourth dimension that existed only in theory for earlier painters.” She is widely considered a pioneer in Virtual and Mixed Realities for her innovative research. Rachel Rossin was interviewed by Marc-Christoph Wagner in June 2023. The interview took place in New York at the Whitney Museum of American Art and Rachel Rossin’s studio in Manhattan.