Aiko - nado verde




Empire Of The Sun - Changes

Producer/2nd Unit DP: Morgan Gold Creative Direction: Snaps (Jodi Lee Steele) Production Company: Flos Flor Production Company Thailand: Deluxe Line Producer: Sudkamol ‘GOB’ Tangtham 1st AD: Pacharaporn ’NOI’ Hitanant Director of Photography: Chaiyapruek ‘BANK’ Chalermpornpanit Art Director: Premsak ‘ART’ Ketsrinarong Make-up Artist: Ashley Joy Beck Hair Stylist/2nd Unit Makeup Artist: Quinn Enright Costume Designer: Supachai ‘ARM’ Bunnag Additional Costume Design: Kate Tabor Locations Manager: Suwatcharee ‘MAY’ Prateep Na Thalang Editor: Dave De Carlo Assistant Editor: Brigitte Haynes Editing Facility: Rooster Post Production Colorist: Jordan Benegbi Color Facility: The Vanity VFX Supervisor: Jeremy Hunt for Screaming Death Monkey VFX Artist: Aujik VFX Artist: Kyle Tiernan Additional Score by Nick Shadel




DIIV: Everyone Out

Animation/Editing: Aaron Anderson Creative Direction: Parker Sprout and DIIV




L'Impératrice — Danza Marilù (feat. Fabiana Martone)

Avec le soutien du Centre National du Cinéma et de l'Image Animée




Torn In Two - Beachwood Sparks

"Torn In Two," Beachwood Sparks' long-awaited single produced by Chris Robinson of the Black Crowes, showcases the band's signature Western swing and the blend of soft signature, expressive vocals of Chris Gunst. The song crests with a glorious guitar solo that electrifies the soul. With Robinson's seasoned touch, the track and animated video by Mark Neeley captures the raw energy of Neil Young's Zuma era, while weaving a narrative of West Coast environmentalism. After 12 years, the band's return is marked by both familiarity and lil' bit of evolution.




Bktherula - THE WAY




muque - Bite you

1st Camera Assistant:Sora Shimizu 2nd Camera Assistant:Tomoya Sato Lighting:Ryo Ueda Lighting Assistant:Daisuke Sakai /Hanna Kasho Hairmake:Shizuka Satake Stylist:Yuya Nakajima Dancer:Takato Yamazaki Choreographer:Suichu-megane∞ Colorist:Yuma Izuka Production Manager:Koki Okuno Production Assistant:Shunya Sakanoshita /Karin Idouji /Kokoro Shukunobe /Taiki Baba(P.I.C.S.) Producer:Shogo Honda(P.I.C.S.)




Crumb - AMAMA

Editor: Alex Futtersak Creative Direction: Abraham El Makawy & Crumb Mario Paint Animation: Michael Jensen Web Developer: Michael Saunders Analog Processing: Alex Futtersak Special Thanks : Julián Cordero




La Femme - Françoise




Future, Metro Boomin, The Weeknd - Young Metro

Producer: Nour Sayeh DP: Brett Arndt Production Manager: Tali Weizman Production Coordinator: Natalle Jastrow 1st AD: E Class 2nd AD: Ricky Dula A Cam 1st AC: Daniel Ajemian B Cam 1st AC: Jay Dallen 1st AC: Levi Jawara A Cam 2nd AC: Nicholas Menio A Cam 2nd AC / Media Manager: Joseph Wise Steadicam Op: Zachary Stanke Steadicam Op: Donald Turner Gaffer: Jorge Hernandez Swing: Sam Kim Key Grip: Mike Long Gaffer: Zied Jendoubi Editor: Omar Jones, Hidji World Colorist: Josh Bohoskey VFX: Rick Lancaster, Omar Jones, Keats Titles: Mark St Andre Photographer: Matt Adam Location Manager : Ron Dabach Production Assistant: TJ Gormely Production Assistant: Charlie Agurrie Production Assistant: Daniel Price Production Assistant: Khaki Jean MUA: Alan Gonzalez Jr. MUA ASSISTANT: Gabriela Vega Stylist: Sakinah Bashir Stylist Assist: Taylor Bell Future Stylist: Storm Pablo Jeweler/Assist: Marvin Douglas Stylist Assist: Junichi Kamata Future Barber: Ian Owens Metro Braider: Priscilla Williams Casting Director: Dorcas Thete Gymnast: Sydney Barros Background: Ameena Brown Background: Zainab Okeo Background: Kyyla Renee Taylor Background: Nafia Muhammad Background: Nyla Dixon Background: Kyniah Thompson Background:Amber Lynee Background: Mauri Phillips Production Co: MirrorBox




Erika de Casier - Polite

Dancer: Patrick Afuale Eirup

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Max Cooper - Everything


Max Cooper: My new single, Everything, is part of the Unspoken Words audio visual album project. Every chapter and piece of music is an expression of something I can't properly communicate with words, but can with music. This first single from the project is a story about us as the vessels of the outside world, and our capacity for implementing change via a heavy dose of synth chord idealism. The video project shows footage of everything contained inside us. We are aware of an outside world, but ultimately; the scenes are experienced internally, and much of what may seem hopelessly out of our control need not be so. That's the idealistic idea which is mirrored musically, at least. I started the music when I was in need of something to give me a push forward. Sometimes a high energy classic synth explosion is the recipe for the job. It created the feeling that anything seemed possible, a fresh belief with a touch of ignorance that’s essential for new ideas to emerge free from the constraining baggage of old failures. The synths seemed to carry the hope of everything I could imagine, condensed into the simple chord progression, improvised pads and layers of distortion. It was a lot of fun to work with, and spending time in that creative mindset generated lots of ideas. For the visual story I worked with my long term collaborator Nick Cobby, along with the photographer's Andrey Prokhorov and Pedro Salas. Andrey has a huge library of imagery from around the world and I wanted to try and put everything inside the minds and bodies of the people of Mexico City, where Nick is based, in order to mirror the explosion of feelings and ideas and potential I had felt from the music. The whole album was also mixed in Dolby Atmos surround sound format at String and Tins studio in London. Culum Simpson designed the spatial structure of the Atmos mix in a similarly direct manner to that of the original stereo mix and visual, with growth towards full power immersion from all sides, and an ever increasing barrage of sound from the ceiling and walls as the track develops. Lots more to come soon on the spatial design process of every track and how to hear that format of the album - sign up to the mailer if you want to have first and full access. Many thanks for having a look and a listen. Nick Cobby: Myself and Max discussed at length how to incorporate the idea of 'Everything' into a visual. With the help of Andrey Prokhorov, we had the opportunity to convey this idea by weaving together a colossal amount of stunning footage he shot from around the world. The main challenge was to find a way to combine the sheer amount of imagery and bring it all together. 'Everything' as a concept is only what we ourselves perceive so I decided to use human anatomy to project Andrey's content, merging it with representations of identity and existence. The result is a dense collage with layers of memories, dreams and experiences we peel off to reveal our consciousness. We are everything. Everything is us. For the human aspect, I worked with photographer Pedro Salas to shoot some portraits of people in and around where I live in Mexico, which is a very multicultural area for here. We shot all kinds of people, as many races and ages as we could. These portraits then were cut up and rearranged to create collages that give no precedence to any particular person. There are glimpses of the faces throughout and at one point the full portraits are briefly visible. I like the way the project started as simple portraits and ended with such an intense barrage of imagery. Technically, I pushed my machine's capabilities to the limit to incorporate so much 4k footage from Andrey. We needed so much to convey this idea. Clips upon clips. Days upon days of rendering and re-rendering. Thousands of layers were assembled, masked and then re-projected onto 3d face structures in what became a mixture of automated and manual frame by frame animation. I hope the final result reflects the intensity and energy of the music and the idea we were trying to convey.



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