MUSIC

01

music

03:42

Daft Punk - Harder, Better, Faster, Stronger

02

music

03:32

BELLBOY - La neige

Aide à l'animation Laura Passalacqua Tamerlan Bekmurzayev Simon Cadilhac Produit par Remembers

03

music

03:49

KREAM - Arrakis

04

music

02:24

((( 0 ))) - 42

05

music

03:48

Max Cooper - Cardano Circles

Warning: Contains flashing images Max Cooper: Recently I was asked to make a new live show based around Italy for a festival with that theme, so I delved into some historic Italian music and science for the Seme (Seed) project. One idea I came across was Gerolamo Cardano’s “Cardano Circles” system from around 1570. I love how it continuously turns straight lines into circles (it was part of early printing press technology). I wanted to present variants of this idea and started chatting to animator / coder Mario Carrillo about a video sequence, while I also came up with a musical interpretation. The music was an attempt at a simple beautiful system in line with the basic visual system we were working with. When the music was ready Mario took the visuals into beautiful new realms building on the initial idea, and we chatted a lot about how to connect his various visual systems to the Cardano Circles, and provide lots of opportunity for getting lost in some beautiful emergent abstraction. So yeah, that’s it for this one, I hope you enjoy it, thanks for having a look and a listen as always. Video artist: Mario Carrillo The concept known as “Cardano Circles”, named after the Italian mathematician Gerolamo Cardano, involves arranging circles in a straight line, each at varying angles, and traversing this alignment at different phases. Depending on the number of circles and the phase angle, this mechanism results in circular motion emerging from what would otherwise be linear movement.This simple and yet elegant concept evolved into a visual system designed to explore the aesthetic possibilities inherent in the idea. What if motion and color persist over time, giving rise to new emergent forms? What if varying the phase angle produces shapes beyond circles? And what if these circles were arranged in a grid rather than a Cardano system, numbering in the tens of thousands that swarm new patterns? The sequence unfolds, at times echoing the Cardano motif, to remind us of the foundational structure from which everything stems. Cardano Circles is a fusion of music, technology, and mathematics to craft a captivating abstraction of an age-old mechanical concept. It was a pleasure to work in synergy with Max as we blended our ideas throughout the process — we sincerely hope you find as much joy in experiencing it as we did in creating it.

06

music

03:00

Kings Of Leon - Nothing To Do

Produced and Directed by Kings of Leon and Casey McGrath. Shot by Caleb Followill.

07

music

02:27

FAMAS - FREESTYLE MARASSE

08

music

03:10

Peggy Gou - 1+1=11

The video for Peggy Gou’s song 1+1=11 shows artist Olafur Eliasson dancing inside a light installation at his studio in Berlin. As he breakdances – gliding, popping, and moving like a robot – he crosses through beams of light from eight projectors, each of a different hue, unleashing an array of colourful shadows and silhouettes that overlap and cascade across the wall. The artist first began breakdancing as a teenager, an experience he often credits as having inspired his embodied approach to art-making. Gou herself appears in the artist’s studio among the geometric models, lights, and mirrors, holding aloft a polarising disc that becomes alternately transparent and dark as she turns it. The works of Icelandic-Danish artist Olafur Eliasson are driven by his long-standing interests in perception, movement and embodied experience. Eliasson is internationally-renowned for his public installations that challenge the way we perceive and co-create our environments. Web: Studio Olafur Eliasson Instagram: @studioolafureliasson Starring: Peggy Gou and Olafur Eliasson Artistic Director: Olafur Eliasson Director: Olafur Eliasson @studioolafureliasson Production Co: ProdCo @prodcofficial Founding Partner/EP: Zico Judge HOP: Sam Levene Producer: Theo Hue Williams @theohuewilliams Local Producer: Philmo Haucke @phlmbln Commissioner: Scott Wright Choreographer: Steen Koerner @steenkoernerstudio DOP: Franz Lustig @lustig.franz 1AC: Daniel Erb 1AC: Uwe Zegnotat 2AC: Hanna Lange @hannafriedalange VTR: Daniel Bose DIT: Frank Hellwig 1AD: Stevie Williams Runner: Andre Dalchau Runner: Bassam Ibrahim Gaffer: Albrecht Silberberger Spark: Dan Jung Spark: Christophe Naschke Grip: Jan Brun MUA: Nina Dueffort VFX Sup: Mickey O’Donoghue VFX Producer: Libby Gandhi @libby.gandhi VFX House: Selected Works @selectedworks.tv Editor: Armen Harootun @hharmenhh Co-Editor: Elena Bromund @elena.lustig Colourist: Taylor Pool @taylorgrades Colour House: Trafik @the.trafik

09

music

02:26

Lil Jay Bingerack - Hi Hi Hi

label: Black Star France Real : benY Boy Assistant real : Prod exe : Artizan Agency D.A: Honorat Aguiré Cadrage : Le Collectif Decor : Les Jumeaux Montage : Beny Boy Etalonnage : beny Boy Makeup Artist : Ashleymakeup Styliste : JMS couture-- hermann - kaunand-jef krea Staring : khaddy kaba Tanya -Adja Jocelyne Ishola

10

music

03:30

The Human League - Don't You Want Me (Purple Disco Machine Remix)

11

music

03:22

Asna - Atalaku

Atalaku means " look here" or give a "shout out" to someone in lingala. This video clip is a Big Atalaku to all my generation, a special shout out to all my people 🇨🇮✨❤️ Credits : Production : Asna Artistic Director : Asna Editor : Allessandro Rodriguez Director of photography : Will Niava Colorist : Wilhend Norvils Credits designers : Alex Wondergem Dancer : Kidydancer Choreographer : Jean Paul Mehansio & Rhodes Karismatik Styling : Lamisigo Show runner : Clement Kouassi Assistant : John Kodjo / Theio

12

music

03:27

The Beatles - Revolution

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music

Max Cooper - Everything

Youtube

Max Cooper: My new single, Everything, is part of the Unspoken Words audio visual album project. Every chapter and piece of music is an expression of something I can't properly communicate with words, but can with music. This first single from the project is a story about us as the vessels of the outside world, and our capacity for implementing change via a heavy dose of synth chord idealism. The video project shows footage of everything contained inside us. We are aware of an outside world, but ultimately; the scenes are experienced internally, and much of what may seem hopelessly out of our control need not be so. That's the idealistic idea which is mirrored musically, at least. I started the music when I was in need of something to give me a push forward. Sometimes a high energy classic synth explosion is the recipe for the job. It created the feeling that anything seemed possible, a fresh belief with a touch of ignorance that’s essential for new ideas to emerge free from the constraining baggage of old failures. The synths seemed to carry the hope of everything I could imagine, condensed into the simple chord progression, improvised pads and layers of distortion. It was a lot of fun to work with, and spending time in that creative mindset generated lots of ideas. For the visual story I worked with my long term collaborator Nick Cobby, along with the photographer's Andrey Prokhorov and Pedro Salas. Andrey has a huge library of imagery from around the world and I wanted to try and put everything inside the minds and bodies of the people of Mexico City, where Nick is based, in order to mirror the explosion of feelings and ideas and potential I had felt from the music. The whole album was also mixed in Dolby Atmos surround sound format at String and Tins studio in London. Culum Simpson designed the spatial structure of the Atmos mix in a similarly direct manner to that of the original stereo mix and visual, with growth towards full power immersion from all sides, and an ever increasing barrage of sound from the ceiling and walls as the track develops. Lots more to come soon on the spatial design process of every track and how to hear that format of the album - sign up to the mailer if you want to have first and full access. Many thanks for having a look and a listen. Nick Cobby: Myself and Max discussed at length how to incorporate the idea of 'Everything' into a visual. With the help of Andrey Prokhorov, we had the opportunity to convey this idea by weaving together a colossal amount of stunning footage he shot from around the world. The main challenge was to find a way to combine the sheer amount of imagery and bring it all together. 'Everything' as a concept is only what we ourselves perceive so I decided to use human anatomy to project Andrey's content, merging it with representations of identity and existence. The result is a dense collage with layers of memories, dreams and experiences we peel off to reveal our consciousness. We are everything. Everything is us. For the human aspect, I worked with photographer Pedro Salas to shoot some portraits of people in and around where I live in Mexico, which is a very multicultural area for here. We shot all kinds of people, as many races and ages as we could. These portraits then were cut up and rearranged to create collages that give no precedence to any particular person. There are glimpses of the faces throughout and at one point the full portraits are briefly visible. I like the way the project started as simple portraits and ended with such an intense barrage of imagery. Technically, I pushed my machine's capabilities to the limit to incorporate so much 4k footage from Andrey. We needed so much to convey this idea. Clips upon clips. Days upon days of rendering and re-rendering. Thousands of layers were assembled, masked and then re-projected onto 3d face structures in what became a mixture of automated and manual frame by frame animation. I hope the final result reflects the intensity and energy of the music and the idea we were trying to convey.

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Visuals

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