MUSIC

01

music

03:48

Max Cooper - Cardano Circles

Warning: Contains flashing images Max Cooper: Recently I was asked to make a new live show based around Italy for a festival with that theme, so I delved into some historic Italian music and science for the Seme (Seed) project. One idea I came across was Gerolamo Cardano’s “Cardano Circles” system from around 1570. I love how it continuously turns straight lines into circles (it was part of early printing press technology). I wanted to present variants of this idea and started chatting to animator / coder Mario Carrillo about a video sequence, while I also came up with a musical interpretation. The music was an attempt at a simple beautiful system in line with the basic visual system we were working with. When the music was ready Mario took the visuals into beautiful new realms building on the initial idea, and we chatted a lot about how to connect his various visual systems to the Cardano Circles, and provide lots of opportunity for getting lost in some beautiful emergent abstraction. So yeah, that’s it for this one, I hope you enjoy it, thanks for having a look and a listen as always. Video artist: Mario Carrillo The concept known as “Cardano Circles”, named after the Italian mathematician Gerolamo Cardano, involves arranging circles in a straight line, each at varying angles, and traversing this alignment at different phases. Depending on the number of circles and the phase angle, this mechanism results in circular motion emerging from what would otherwise be linear movement.This simple and yet elegant concept evolved into a visual system designed to explore the aesthetic possibilities inherent in the idea. What if motion and color persist over time, giving rise to new emergent forms? What if varying the phase angle produces shapes beyond circles? And what if these circles were arranged in a grid rather than a Cardano system, numbering in the tens of thousands that swarm new patterns? The sequence unfolds, at times echoing the Cardano motif, to remind us of the foundational structure from which everything stems. Cardano Circles is a fusion of music, technology, and mathematics to craft a captivating abstraction of an age-old mechanical concept. It was a pleasure to work in synergy with Max as we blended our ideas throughout the process — we sincerely hope you find as much joy in experiencing it as we did in creating it.

02

music

03:00

Kings Of Leon - Nothing To Do

Produced and Directed by Kings of Leon and Casey McGrath. Shot by Caleb Followill.

03

music

02:27

FAMAS - FREESTYLE MARASSE

04

music

03:10

Peggy Gou - 1+1=11

The video for Peggy Gou’s song 1+1=11 shows artist Olafur Eliasson dancing inside a light installation at his studio in Berlin. As he breakdances – gliding, popping, and moving like a robot – he crosses through beams of light from eight projectors, each of a different hue, unleashing an array of colourful shadows and silhouettes that overlap and cascade across the wall. The artist first began breakdancing as a teenager, an experience he often credits as having inspired his embodied approach to art-making. Gou herself appears in the artist’s studio among the geometric models, lights, and mirrors, holding aloft a polarising disc that becomes alternately transparent and dark as she turns it. The works of Icelandic-Danish artist Olafur Eliasson are driven by his long-standing interests in perception, movement and embodied experience. Eliasson is internationally-renowned for his public installations that challenge the way we perceive and co-create our environments. Web: Studio Olafur Eliasson Instagram: @studioolafureliasson Starring: Peggy Gou and Olafur Eliasson Artistic Director: Olafur Eliasson Director: Olafur Eliasson @studioolafureliasson Production Co: ProdCo @prodcofficial Founding Partner/EP: Zico Judge HOP: Sam Levene Producer: Theo Hue Williams @theohuewilliams Local Producer: Philmo Haucke @phlmbln Commissioner: Scott Wright Choreographer: Steen Koerner @steenkoernerstudio DOP: Franz Lustig @lustig.franz 1AC: Daniel Erb 1AC: Uwe Zegnotat 2AC: Hanna Lange @hannafriedalange VTR: Daniel Bose DIT: Frank Hellwig 1AD: Stevie Williams Runner: Andre Dalchau Runner: Bassam Ibrahim Gaffer: Albrecht Silberberger Spark: Dan Jung Spark: Christophe Naschke Grip: Jan Brun MUA: Nina Dueffort VFX Sup: Mickey O’Donoghue VFX Producer: Libby Gandhi @libby.gandhi VFX House: Selected Works @selectedworks.tv Editor: Armen Harootun @hharmenhh Co-Editor: Elena Bromund @elena.lustig Colourist: Taylor Pool @taylorgrades Colour House: Trafik @the.trafik

05

music

02:26

Lil Jay Bingerack - Hi Hi Hi

label: Black Star France Real : benY Boy Assistant real : Prod exe : Artizan Agency D.A: Honorat Aguiré Cadrage : Le Collectif Decor : Les Jumeaux Montage : Beny Boy Etalonnage : beny Boy Makeup Artist : Ashleymakeup Styliste : JMS couture-- hermann - kaunand-jef krea Staring : khaddy kaba Tanya -Adja Jocelyne Ishola

06

music

03:30

The Human League - Don't You Want Me (Purple Disco Machine Remix)

07

music

03:22

Asna - Atalaku

Atalaku means " look here" or give a "shout out" to someone in lingala. This video clip is a Big Atalaku to all my generation, a special shout out to all my people 🇨🇮✨❤️ Credits : Production : Asna Artistic Director : Asna Editor : Allessandro Rodriguez Director of photography : Will Niava Colorist : Wilhend Norvils Credits designers : Alex Wondergem Dancer : Kidydancer Choreographer : Jean Paul Mehansio & Rhodes Karismatik Styling : Lamisigo Show runner : Clement Kouassi Assistant : John Kodjo / Theio

08

music

03:27

The Beatles - Revolution

09

music

04:25

Future, Metro Boomin, The Weeknd - We Still Don't Trust You

Starring Winnie Harlow EP/Creative Director: Chris Argueta Producer: Nour Sayeh DP: Jay Swuen Production Manager: Natalle Jastrow Production Manager: Rayoni Matos Production Coordinator: Samira Escobar Production Logistics: TJ Gormley 1st AD: George Solomon A 1st AC: Benjamin Hernandez B 1st AC: Saori Kinai A 2nd AC: Mark Quintos B 2nd AC: Reid Collins Steadicam: Zach Stanke Gaffer: Tate McCurdy BBE: Tony Cantor Electric: Paul Kane Electric: Clay Pacatte Electric: Vahagan Gukasyan Electric: Mauricio Aguilar Key Grip: Charles Tae BBG: Blake Danchik Grip: Devon McKinney Grip: Alex Nunez Grip: Garrett Dorin Grip: Derek Holub Production Designer: Briggs Set Dresser: Julian “Milli” Doster Sound Op: Joe McGill VTR: Angel Cifuentes VTR Assist: George Gomez Key MUA: Kandi Hernandez MUA Assistant: Julie Dinh Key Hair: Stacy Gonzalez Hair Assistant: Sophie Guzzman Stylist: Sakinah Bashir 1st Styling Assistant: Karissa Jones 2nd Styling Assistant: Taylor Bell Casting Director: Dorcas Thete Casting Assistant: Alexandra Reviere Casting Assistant: Chariti George 2nd AD: Arielle Zolezzi 2nd AD: Amanjah Anthony AD PA: Izzy Strauss AD PA: Lars Eilers AD PA: Taytum Blake Production Assistant: Charlie Aguirre Production Assistant: Juan Pablo Gonzalez Production Assistant: Ben Danielson Production Assistant: Kim Rocha Production Assistant: Ryan Lane Editor: Hidji World, Omar Jones Color: Josh Bohesky Titles: Hidji World VFX: Hidji World Future Stylist: Storm Pablo Future Barber: Ian Owens Metro Stylist: Fatima Bah Grooming: Chelsea Cotton Metro Braider: Priscilla Williams Barber: Mauricio “Busko” Garces

10

music

03:42

Jamie xx - Baddy On The Floor feat. Honey Dijon

11

music

03:32

Canblaster - YOU WILL RISE

PENGUIN LAB LTD Production: Penguin Lab LTD Animation Director: Kongkee Producer: Law Man Lok Project Manager: Katy Ku Compositing: Solar So TSUI BROTHERS TEAM Project Manager: TSUI Brother Animator: Kronos C-GRASS.TV Project Coordinator & Compositor: Kody Ke Key Animator: Caturkey Hsueh Animator: Zack Lieu Ajian Meve Zheng

12

music

02:40

Dominic Wright - I’ll Be Alright

Executive Producer: Dan Matthews Producer: Ellie Clapperton Production Companies: Ramshackle Productions First AD: Charlie J Doherty Director Of Photography: Natasha Duursma Focus Puller: Jonny Lewis Loader: Lali Coombes Gaffer: Vini Curtis Spark: Dax Sharkey Art Director: Georgia Marshall Art Assistant: Alisha Kulshrestha HMUA: Eliza Clarke Stylist: Amy Harfoot Production Assistant: Ella Lowden Van Driver: Jonny Reid Edit: Devon Kuziw Colourist: Katie Dymmock Grade Producer: Franky Chadwick Post House: Okay Studio Film Development: Kodak Scans: Digital Orchard Label: AWAL Management: Stuart Clarke Lead: Rosie Dwyer

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music

Max Cooper - A Model Of Reality

Youtube

(Official video by Eris is Red) Max Cooper: This chapter of the Unspoken Words album story (https://www.unspokenwords.net) deals with the arrival of abstract thought as a tool for human expression, visualised by the artist Eris is Red. A hypnotic model of reality is created and explored, with reaction diffusion forms reminiscent of the real world, but never quite real. Familiar symbols are visually referenced as a tool for building and communicating abstraction and new ways of thinking from the ground up, with the new model of reality emerging as meaning emerges from the symbols of our language. I wrote the piece of music during some difficult times of isolation. It came from a live improvisation where I found a hypnotic repeating structure that made me feel the creation of something new and hopeful. It yielded an abstract space I became lost in for months. I came across the beautiful voice of Kotomi (Lauren Culjak) from the ending sequence of an episode of Rick and Morty (S4 E10), where she sings “Don’t look back” in collaboration with Ryan Elder. Something about her voice immediately grabbed me. It has a beautiful otherworldly quality to it which strengthened the feeling of the abstracted space I was trying to create. And I was surprised and happy to find that she was interested in working together on the track, and ok with me mangled her voice into granular oblivion to try and capture the feeling of human expression without the literal restrictions of lyrics. The Dolby Atmos mix for the Blu-ray/Atmos streaming version, was created together with Adam Hare and Niels Orens, focusing on an organic slow moving and inviting space for becoming lost inside, without rigid structures, and lots of improvised paths of sounds through space, in line with the feel of the original piece of music. Eris is Red: "Wittgenstein's concept of Sprachspiel, or Language Games, describes the fluid nature of how we communicate and how it contextually based and can change the very reality we experience. The organic and ever changing nature of the visuals is intended to represent that core base of our collective reality. The beautiful abstract motion of reaction-diffusion felt the right fit to communicate that concept. When I was contacted by Max for this project I had been experimenting with a technique of creating animated 2D greyscale image sequences that were then used to drive both 3D displacement as well as material mixes. One side effect of the process is a certain 'banding' that occurs when the bit depth is limited and there is not enough information to have a smooth gradient between the values of black and white, this artefact is usually undesirable, however with the pulsing hypnotic melody of the song I was able lean into it and it became part of the art direction. After the initial displacement maps were created, they were imported into Cinema 4D, where I displaced flat planes and other objects and did countless experiments of mixing and blending the maps and clamping values to drive material mixes based on the topology. Throughout the process I used both Cycles4D and Redshift to render."

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