THE ENTRANCE

A film by OHIRI. An underwater story. An offering to the legendary King Crocodile, a curated collection of body adornments by OHIRI Producer: OHIRI Assitant Director: Ayela Model: Abdel Doumbia Cinematographer: Wal Le Prince Underwater Cinematographer: Nadi Saddy Original Score: Sealmi Poem Author: Dozilet Kpolo Narrator: Prince Lyrics Poem Baule Translation: Prince Lyrics Poem English Translation: Nuits Balnéaires Lighting Assistant: Souleymane Sidibé Production Assistant: Christophe Kouassi Stylist: Akebehi Kpolo Set Design: Akebehi Kpolo Make Up Artist: Liesse Tiemoko, Sara Soumahoro Hairstylist: Dédé Soumahoro Editors: Wal Le Prince, Nuits Balnéaires Colorists: Wal Le Prince,Nuits Balnéaires

WATARU TOMINAGA SS Collection 23

LADO BOKUCHAVA SS21

Direction/Concept : Shaka Hiker Production : ADHD / Noizy DOP ; Sandro Darakhvelidze Steadycam operator: Merab Kiknadze Music: Aghnie Edit: @goga tsikollia Make up: Anna Todua Mariam Alimbarashvili Nino Shubladze, Mari Bagramiani Makeup Institute Georgia Hair: @Viktoria Gigishvili

MARTINE ROSE SS14

ROLF EKROTH SS23 — Camp Broken Arm

Story by: Kimi Issakainen & Rolf Ekroth Producer: Katariina Kangas Production assistants: Lauri Kivikataja & Sandra Seppänen 1st AC: Sam Gladstone Steadicam operator: Jyrimatti Holm Edit: Kimi Issakainen Colour grade: Juhani Vuorisalo / Grade One Graphic design: Matilda Diletta Still Photography: Mikael Niemi & Kimi Issakainen Music & Sound design: Ilari Heinilä Stylists: Heidi Karjalainen & Rolf Ekroth Make up & Hair: Kira Muesa Make up & Hair assistant: Pinja Kasslin Models: Elvis, Emil, Hongyu, Sabina, Tyra (Nisch management)

Trashy Clothing Spring/Summer '24 "Bourgeoisie, Mufflers, and Oil Vol. 1"

Cast: John Rabadi, Nadeen Rabie, Sarah Khatib Assistant: Aya Braika

SCHIAPARELLI HAUTE COUTURE SPRING SUMMER 2024

In 1877, Elsa Schiaparelli’s uncle Giovanni Schiaparelli, the director of the Brera Observatory in Milan, discovered something new: a series of channels, an area as large as the Grand Canyon, scoring the surface of Mars. He also coined the term “martian”, and inadvertently began our modern fascination with creatures from out there, a fascination that continues to this day. So it makes sense that space has always been an informal code of the Maison. Elsa was, famously, preoccupied with astrology, and why not? Looking to the stars was clearly a family pastime. This collection is an homage to that obsession, as well as a study in contradictions — of legacy and the avant-garde, of the beautiful and the provocative, of the earthbound and the heaven-sent. But as art (and nature) teaches us again and again, the things and ideas that seem diametrically opposed to each other can also combine to make startling chimeras, objects composed of familiar parts that, when united, create something unexpected and new. It is, in fact, one of the Maison’s guiding philosophies: Elsa was committed to unlikely marriages win her own design, and the looks in this collection honor that tradition, combining old world techniques (such as over-embroidered guipure laces, velvet and lace appliqués, and hand cut and embroidered chenille fringe) with new world shapes, patterns, and references (such as a motherboard-and-strasse microchip dress encrusted with pre-2007 technological artifacts — now, the technology I grew up with is so antiquated that it’s almost as difficult to source as certain vintage fabrics and embellishments). They also unite her personal references with my own: you’ll see abstracted references to iconographies of my home state of Texas throughout, from the bandana, here remade in hand-painted paillettes; to the cowboy boot, reconceived as a thigh-high fantasy bristling with buckles; to the iconic horse braid dressage knots redone as silk satin spikes and smothering a camel suede bomber jacket and a white denim corset suit. Elsa was famous for her codes — the keyhole, the measuring tape, anatomical body parts — and we’ve embedded them like Easter eggs in jewelry, shoes, clutches, and embroidery, a secret message from us to the woman who wears them. The result are a series of profiles both familiar and not — part human, part something else. And, therefore, totally Schiaparelli.

The Spring-Summer 2024 Haute Couture Teaser — CHANEL Shows

At the invitation of Virginie Viard, Kendrick Lamar and creative partner Dave Free meet the world of CHANEL Haute Couture for the first time, bringing to life a story about time and transmission. Actress and House ambassador Margaret Qualley plunges us into the tale “The Button” alongside actress and House ambassador Anna Mouglalis, as well as friend of the House Naomi Campbell. Written and directed by Dave Free. Scored by Kendrick Lamar. Serviced by pgLang.

GIA STUDIOS SS21

Catwalk Director: Thanh Truc Truong Cameraman: Duy Nguyen, AB, Tan Duong, A Chung Hair & Makeup: Tung Chau Tran Behind the scenes @ho.vietquan Gaffer: Anh Lam Lighting & Grip: Starvn Camera Rental House: Lenspro

CELINE 20 DELUSIONAL DAYDREAM HOMME SUMMER 24

CELINE 20 HOMME SUMMER 24 DELUSIONAL DAYDREAM LA GAÎTÉ LYRIQUE PARIS, JULY 2ND, 2023 DIRECTED BY HEDI SLIMANE © HEDI SLIMANE PHOTOGRAPHY © HEDI SLIMANE FILM “THE SHOW THAT NEVER WAS” AFTER THE CANCELLATION OF THE MEN’S SUMMER 24 SHOW AT LA GAÎTÉ LYRIQUE IN PARIS IN JULY 2023, HEDI SLIMANE SHOT A FILM THE SAME MONTH BETWEEN PARIS AND MONACO. SCENES WERE FILMED AT THE MONTE-CARLO OPERA GARNIER FEATURING CLASSICAL BALLET DANCER LAURIDS SEIDEL. ORIGINAL SOUNDTRACK FOR CELINE EXTENDED VERSION OF “LOSING MY EDGE” PERFORMED BY LCD SOUNDSYSTEM PRODUCED BY JAMES MURPHY ENGINEERED BY KOREY RICHEY COMMISSIONED BY HEDI SLIMANE IN CONTINUITY WITH THE SOUNDTRACK OF THE CELINE WOMEN SUMMER 24 LA COLLECTION DE LA BIBLIOTHÈQUE NATIONALE, HEDI SLIMANE ONCE AGAIN DELVES INTO LCD SOUNDSYSTEM’S EPONYMOUS 2005 DEBUT ALBUM: ONE OF THE MOST INFLUENTIAL SOUNDS IN INDIE ELECTRONIC MUSIC AND CLUB SCENES. IN THE EARLY 2000’S HEDI SLIMANE STARTED TO DOCUMENT A NEW EMERGING ART SCENE IN NEW YORK THAT INCLUDED DAN COLEN, TERENCE KOH, NATE LOWMAN AND DASH SNOW TO NAME A FEW. IN JULY OF 2007 SLIMANE CURATED A GROUPSHOW TITLED “SWEET BIRD OF YOUTH”, AT ARNDT & PARTNER IN BERLIN, FEATURING THE WORKS OF PROMINENT DOWNTOWN NEW YORK ARTISTS DASH SNOW, SLATER BRADLEY, MATHEW CERLETTY, DAN COLEN, GARDAR EIDE EINARSSON, TERENCE KOH, DOUGLAS KOLK, NATE LOWMAN, RYAN MCGINLEY, MATT SAUNDERS, STEVEN SHEARER, PAUL P. AND BANKS VIOLETTE. LATER ON THAT SAME YEAR, WITH HIS EXHIBITION “YOUNG AMERICAN” AT THE FOAM FOTOGRAFIEMUSEUM IN AMSTERDAM, THROUGH A SERIES OF BLACK AND WHITE PORTRAITS, SLIMANE PAID TRIBUTE TO THE SAME GENERATION OF ARTISTS. RECALLING HIS STRONG LINKS WITH THE NEW YORK ART SCENE, HEDI SLIMANE CHOSE ARTWORKS FROM DASH SNOW’S ARCHIVE TO INCLUDE IN HIS DELUSIONAL DAYDREAM COLLECTION. THE NEW YORK BEAT OF LCD SOUNDSYSTEM AND ITS CULT SEMINAL 2005 EPONYMOUS ALBUM “LCD SOUNDSYSTEM” ARE REVISITED TODAY BY A YOUNG AND VIBRANT, NEW YORK MUSIC SCENE, TO WHOM THIS SHOW IS DEDICATED. HEDI SLIMANE STARTED PHOTOGRAPHING THIS REVIVED NYC GENERATION AT THE END OF LOCKDOWN, NOTABLY THROUGH A SERIES OF PORTRAITS OF ALTERNATIVE MUSICIANS, ARTISTS, AND CLUBBERS. CASTING, STYLING AND SET DESIGN HEDI SLIMANE MAKE-UP ARTIST AARON DE MEY HAIR STYLIST ESTHER LANGHAM HAIR COLORIST ALEX BROWNSELL

Acne Studios Women’s Spring/Summer 2023 Show

Introducing: #AcneStudiosSS23. The monumental celebration of #AcneStudios' 10th year of showing in Paris. Watch the show, live from Palais de Tokyo in Paris, on Wednesday September 28th at 6:30PM CEST.

Miu Miu Spring/Summer 2024 Fashion Show

“What if I told you, you aren’t the hero in your own story but the villain in someone else’s?” In this special project for Miu Miu, artist Sophia Al-Maria offers us an old story with a new twist. Gravity ∞ Grace is a fairy tale ending (of the world) about a court jester and a royal guard who can’t agree if life is a tragedy or comedy. The pair gaslight, gate-keep and girl-boss each other in an epic battle over POV. Featuring original music by musicians Takiaya Reed and Scarlett Viney of Divide and Dissolve and starring stuntwoman Ayesha Hussain as archetypal twins, this one-minute recap formed the introduction to the unabridged story which played out during the Miu Miu Spring/Summer 2024 show in the Palais d’Iéna on October 3rd, 2023. Sophia Al-Maria’s expansive work across art, publishing, film and TV is united by an urgent question of perspective: if language and stories form our POV, how can we tell fantasy from reality?