Max Cooper - Platonic

Nineteen hours sitting on a bridge in Sligo town, and a good stint behind the computer and we're done.

SWARM

Fluid Art By - Roman Hill, Thomas Blanchard & Oilhack Drone Photography By - Colm Hogan McGLOUGHLIN BROTHERS: Development and destruction seem to go hand in hand when it comes to human progress on earth. There is a celebration of the human ability to create sophisticated environments in which we inhabit, but also a concern at the price that we are paying for this. Feeling alien is easy here. - - - MAX COOPER: This project was something special for me. Two of my favourite artists, brothers, and long term collaborators, Kevin and Páraic McGloughlin got together to create a short film with huge visual and conceptual intensity. It is the story of our planet and us on it. Swarming. The huge scale of our impact on the planet presented as beautiful and terrifying growing structures as we see population growth time lapse set against frenetic activity. Usually I write music alongside rough visual ideas from my project stories, and rely on the video artist to synchronise them for music videos. But this beast of a short film was presented more or less finished, and I had the daunting task of how to make the music live up to the feeling and spectacle of the film. As well as sync to the barrage of visual cues. It turned into a bit of an obsession, where I was trying to find the right sounds to link with every new scene, and given the number of scenes, it turned into one of my most detailed pieces of music. If you can listen in HD format with headphones there are many details to find in there, often using spatial/binaural format to make them audible amongst the chaos. The main element that I started with was that big pitch bending synth chord sequence. It seemed to capture something of the growing intensity and power of the film, and I could also sync the pitch gliding to the longer scale visual arrangement. The whole process of building the arrangement tightly to the film yielded an unusual musical structure for me, which was a nice habit breaking process that gave me some lessons to take into future projects.

Monolink - The Prey

Performance: Carla Cervantes Caro & Sandra Lee Camera: Javier Zarza Bardet, Páraic Mc Gloughlin, Peter Martin, Brian Lawler, Patrick Lawler Sculpture Tomàs Barceló

Max Cooper - Circular

"Something special from the mad genius Páraic McGloughlin, who has been out in the Irish countryside painting hundreds of massive circles for a story of the infinite and of helpless circular obsession." - Max Cooper

Weval - Someday