Addie Wagenknecht

Addie Wagenknecht is an American artist and researcher living in New York City and Austria. Her work deals primarily with pop culture, feminist theory, new media and open source software and hardware. She frequently works in collectives, which have included Nortd Labs, F.A.T. lab, and Deep Lab.

Role: director
01

art

04:00

how to use bittorrent without a boyfriend and apply fake lashes

"today I review my favorite picks from birchbox and teach you how to do your makeup so you can get a boyfriend to pay your rent while meeting his mom asap"

02

art

02:11

korean sheet masks and password management for pore refining wins

Skincare and opsec forever 💕💅🔐🔑🔒🔓 To understand why you should care, put your email address in here: https://haveibeenpwned.com/. Using a password manager means that if e.g. Facebook is hacked, the only thing someone with that leaked password can do is get into one account, not all.

03

art

01:59

Webcam Venus

If asked if there is a difference between the Renaissance painting The Birth of Venus (1486) and a Playboy magazine centerfold, most might say it's no contest: one is art and the other exploitative pornography. One is a treasure of human ideals and achievement, the other smut. Are Botticelli and Hugh Hefner really that different? Both project fantasy and erotic imagery through the media of their day. Both are vehicles of gender politics, defining standards of beauty and sexuality. What if adult performers—already mediated sex objects—struck “classic” poses? In Webcam Venus, Pablo Garcia & Addie Wagenknecht asked online sexcam performers to replicate iconic works of fine art. This piece is an experimental homage to both fine art and the lowbrow internet phenomenon of cams. Sexcams use webcams and chat interfaces to connect amateur adult performers with an audience. Users log on to see men, women, transsexuals, couples and groups broadcast their bodies and sexuality live for the public, often performing for money. To create this experiment in high and low media, we assumed anonymous handles and spent a few hours each day for a month asking performers: “Would you like to pose for me?”

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