Nanine Linning's production SILVER addresses the intimate and increasingly intrusive relationship between the human and the technological, showing its potential for future developments, but also questioning its promise of ever increasing progress and self-improvement. Music from Dutch composer Michiel Jansen.
Bart Hess born in 1984 is delved into instinctive textiles when studying at the Design Academy Eindhoven, where he created A Hunt for High Tech, a collection of materials that mimicked the bestial outer layers of unfamiliar hybrid species, accompanied by an evocative film that brilliantly brought his concepts to life. Over the past ten years, Hess has developed an impressive roster of work. He has pinned, stretched, slimed and scraped materials in relation to the human body, and collaborated with the likes of Lucy McRae, Nick Knight, Lady Gaga, Iris van Herpen and Walter van Beirendonck. Hess feels that our bodies are increasingly becoming a platform for sensitive and interactive technology, and has constantly exposed the intimate relationship materials have upon our skin, including a concept for Philips Design that mounted an electronic tattoo underneath the skin’s surface. Foamy, sweaty, blobular and molecular are the kinds of surfaces that Hess concocts. Flirting with a touch of the grotesque and the macabre, he explains that he tries “to find a balance between beauty and disgust or horror. I think the darker side of beauty has less restrictions because it hasn't been explored that much, which makes it more interesting for me to show to my audience”. Text by Philip Fimmano