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Creative Production by Fiona Agger Production by Veronica Harrington and Eliza Barry Callahan Gaffing by Jonas Hayes Backdrop by Oliphant Studios Shot at Building 269 in The Brooklyn Navy Yard
Creative Production by Fiona Agger Production by Veronica Harrington and Eliza Barry Callahan Gaffing by Jonas Hayes Backdrop by Oliphant Studios Shot at Building 269 in The Brooklyn Navy Yard
Edward O. Thorp is the author of the bestseller Beat the Dealer, which transformed the game of blackjack. His subsequent book, Beat the Market, coauthored with Sheen T. Kassouf, influenced securities markets around the globe. He is also the author of A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market. Edward was one of the world’s best blackjack players and investors, and his hedge funds were profitable every year for 29 years.
Jo Applin gives an insight into both Lee Lozano’s life and her work, contextualizing her practice and highlighting her response to the constraints of constitutional systems, gender dynamics, power, money, and politics. Created in 1962–1963, the early paintings and drawings on view at Hauser & Wirth Somerset use airplanes as a central image and can be considered as examples of the artist’s passionate exploration of creative energy in its purist form. This focused body of early work exposes a complex and deeply intimate inner life grappling with one-sided gender and societal dichotomies, while other works display a form of ferocious humour and playfulness, exploiting the rhetoric of exaggeration to its most cogent effect. Her raw expressionist brush strokes create powerful works imbued with a very personal iconography, including genitals, religious symbols, tools and body parts. Lozano’s short lived but influential career remains a source of fascination, lauded by Lucy Lippard as the foremost female conceptual artist of her era in New York.
“As long as an artist continues to express themselves, it’s a contribution to the world.” American artist Barbara Kasten shares her advice to aspiring young artists. To Barbara Kasten, one cannot expect success right after finishing art school: “I think that young artists should think about the future of their work, but they shouldn’t get stuck on it.” She also acknowledges how much it takes, not only in perseverance but also in capital, to make it as an artist: “You know, it takes money to continue to make art. So, many artists aren’t fortunate enough to have the resources.” Barbara Kasten had to teach for many years to make a living as an artist: “It took me until 80 to get the kind of recognition that I’m getting now.” Barbara Kasten (b. 1936) is an American artist born in Chicago, USA. She is known for making photographs of abstract interior environments where the juxtaposition of light, objects, and mirrors forms the subject of her images. Kasten was educated in sculpture and painting, which both informs her work. She began investigating photography through cyanotypes of fabrics and photograms of objects placed directly on paper. Barbara Kasten attended California College of Arts and Crafts (MFA, 1970) and the University of Arizona, Tucson (BFA, 1959). Barbara Kasten was interviewed by Roxanne Bagheshirin Lærksen in her studio in Chicago in February 2023.
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