MUSIC

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music

03:57

Rey Pila - Surveillance Camera

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music

05:09

Socko - Pax In Bello - Live In Dilijan, Armenia

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music

07:00

Tigran Hamasyan - The Bird of a Thousand Voices Live

The Bird of a Thousand Voices extract from an unplugged concert live in front of Armenia’s highest peak. Tigran Hamasyan - Piano and voice Khazer Choir - Directed by Ani Navasardyan Asghik Mamikonyan - Violin and voice Film Crew Captain - Hayk Barseghyan Directors - Levon Badikyan and Alexey Komoza Cinematographers - Alexey Komoza, Tigran Melkonyan, Levon Badikyan, Gevorg Elmasakyan, Valentin Piskun, Mitya Lyalin Stylist - Ruslan Nasir Clothes - Z.G Est, Reborn, Petoor, Loom Weaving Special thanks to 5Concept, Frip’, and Cone Live Recording and mixing - Sergey Gasparyan Filmed at Rapi Lake in front of Mount Aragats

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music

04:03

Your 33 Black Angels Y33BA - Shaggy & Joe

Shot with rare, state-of-the-art thermal cameras, Barbara Anastacio uses a hybrid of heat, improvised choreography, AI and even the old-school puppetry of Vit Hořejš to paint New York City in a post-apocalyptic light. Rendered robotic and alien, the dancers sweat sensuality, dancing and vogueing hypnotically to the acid-house adjacent track. Drawing inspiration from Finnish philosopher Erkki Kurenniemi's proclamation that "our true descendants will be algorithms." Your 33 Black Angels (@y33ba) new album Eternities II will release on 4/15 via Bandcamp and other outlets. Follow them at for more music and updates.

05

music

04:21

Adrián de Alfonso - La cara estúpida del ritmo

The solo rituals of a traveler embarking on a journey of awakening, delusions of grandeur, and the timeless yearnings of the soul.

06

music

03:11

ALT BLK ERA - Run Rabbit

Video directed and produced by Blessing Magore Produced : Natt Webb of RatCat Studios, Nyrobi and Chaya

07

music

00:53

Kareem Lofty - Plant Nursery

08

music

02:48

Moscow X ‪Rafiek‬ - MEEN | موسكو ورفيق - مين

FIRST MUSIC VIDEO SHOT ON FILM IN EGYPTIAN RAP INDUSTRY. Producer - Mohannad El Morsy Focus Puller - Malak Tarek 2nd AC - Shockz Photography - Adrygraphy BTS - Omar Barakat / Winagraphs Stylist - Styled by coddiwomple & al camelion Gaffer - Hassan Camera tech - Adel khairy Post production Editor - Amr Mekki Colorist - Ahmad Ali

09

music

04:52

Glass Beams - One Raga to a Disco Beat

This is a cover of ‘Raga Bhairav’ by Charanjit Singh, taken from the 1982 Album ‘Ten Ragas to a Disco Beat’. Created in Mumbai in 1982, the original song is one of the earliest records to use the Roland TB 303 bass line synthesizer – the sound of acid house. Futuristic without intention, the album pre-dates the first acid house records of Chicago. ॐ शांति

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music

03:01

Felukah - Neighborhood

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music

03:46

XANDER GHOST Ft. MARWAN PABLO - OGRA | زاندر جوست مع مروان بابلو - اجرة

Stylist @amernotme Production house @daddy_originals Co-Director @mohamedelmasryfilms Executive producer @mahmoud_dodda_ DOP @moatazzkhaled Producer @ibrahim.elgharably Post-producer @shero_sk Window aisle @ysewedy @asewedy Art executive @zeyadabas

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music

03:47

Cloth - Polaroid

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Max Cooper - Forgotten Places

Youtube

Max Cooper: 'Forgotten Places' began as a feeling, chord progression and an idea to make an audio visual project about the lost places in our built environment and the beauty of nature starting to take hold again. For me these sorts of places have always been important for some time away from the city grind when there’s no time for escaping the city. There’s something special about unkept spaces and the form of complexity that emerges along with a reassuring feeling that nature will persist beyond us. I chatted to Kathrin about the ideas and she made an on the spot improvisation for the vocals in the way that only she can, full of expression. I then started looking for imagery of the idea and found Jonk’s amazing photographs of abandoned spaces. He was interested in experimenting with how we could use his work as the basis for a music video so the next challenge was how to turn stills into moving image. The next stage of the project happened with AI art specialist Xander Steenbrugge. In the era when there are often issues around ownership and crediting of AI generated art I was interested in how we could base a project on one artist as the source, Jonk. Xander created predictions of frames linked to the photographs so sometimes we see the spaces before they were abandoned or interpolations between them. Finally, I started chatting to Ukrainian artist Nick Motion about how we could take all of the stills and downstream generated video and combine it with his style of particle work and editing to yield the final audio-synced sequence. So overall it’s a collection of different human and machine approaches as an experiment, to hopefully celebrate the photography of Jonk and capture some of the feeling and merit of our forgotten places. Nick Motion: Every project is a journey. And Forgotten Places is such a special one. For me it was fun deep dive into new software, coding and mathematical concepts. I tried to unleash forces of randomness to create a memorable visual narrative. My main challenge was to create an empty container, interesting enough visually for viewers to interact with. Almost a simulation of a narrative. I believe in the ultimate power of abstraction and chaos. Because it enables the viewer to participate in an act of art. You can only see things you already know, feel, and experience. If you listen carefully you`ll find out — the whole world is a reflection of yourself, and it can't be different. This was my first experience working with AI closely. Thanks to the developers community I have access to useful AI models, without leaving a native work environment. This is amazing how far we can get in the simulation of reality. This gives the opportunity to discover interesting parallels between nature and manmade structures. both physical and abstract

Photographer

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