ART

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Solo by LOEWE

starring biel garcía director / vincent boehringer executive producer / jacob burckhardt dop / carlos feher set design/ cathrin sonntag styling / natalia wierzbicka gaffer / anian krone 1st ac / mauricio waldo 2nd ac / b-cam / jona riese pa / florencia altamirano drone / the drone studio service productio / camino service producer / céline imbert casting director / matt o'malley editor / sounddesign / nik kohler post house / cabin edit edit assistants / craig griffiths, chris day post producer / caylee banz executive producers cabin / ruth minkley, kayt hall music / anenon additional sounddesign / mix / berg & dahl audioulien Alary colorist / julien alary liquid art / chris park vfx producer / julian sünram vfx artist / max habel production company / upperfast, filmakademie baden-wuerttemberg co-production: markenfilm berlin & hamburg, eddy paris, farbfilm studio zurich Special thanks: tmls, lane Casting, sight management, cosmic, napalm rentals

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01:09

MAFF Loves Armenia: Larisa Safaryan

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02:18

Missing: You so much a letter to all the dreamers

Missing: You so much a letter to all the dreamers Creative director/producer: Your friend, daao Director/DOP/edit: Naran Evdeev 1AC: Edward Kurginyan Music/sound design: Shhau & Your friend, daao Color: Tigran Aghajanyan

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01:52

MAFF Loves Armenia: David Sahakyan - Woozy Tunes

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00:10

MAFF Loves Armenia: Yeranuhi Nersisyan

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00:17

MAFF Loves Armenia: ԿԱՊ Kap Community

If you want to know whats going on: https://t.me/s/kapcommunity

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00:36

MAFF Loves Armenia: Khoren Matevosyan

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00:41

MAFF Loves Armenia: Victor Zatikyan

This is what happens when the Cinebox 250D, a Nikon f4, and photographer, Victor Zatikyan come together

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02:00

Egypt's ancient zar ritual

At Cairo's Makan Cultural Centre, the Mazaher ensemble performs a lighter version of "zar", an music and dance ritual with centuries-old roots, that aims to ward off or exorcise jinn, or evil spirits.

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00:16

Mahmoud Khattab somewhereincairo

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00:33

Mohamed El-Masry films Hurghada, Egypt

Cinematographer based in Cairo, Egypt Mohamed El-Masry films Hurghada.

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02:00

From Cairo Streets To The World

Coddiwomple a word that means “to travel in a purposeful manner towards a vague destination” We think that through the journey of every creator in Cairo there’s a lot of rage, wars and doubts within the process of expressing yourself to the world, but they still do it anyways.

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art

DESCENT (desktop performance)

Vimeo

In 1562, Flemish artist Pieter Bruegel the Elder completed a painting called The Triumph Of Death. In this panoramic landscape the sky is blotted out by black smoke; ships and dead fish litter the ocean shore; and an army of skeletons experiment with myriad death techniques. The living are badly outnumbered and the variety of fated tortures seems endless. There is little room for whimsy in this tableaux. Over 200 years earlier, a nasty plague, commonly known as the Black Death, left a cruel and massive mark on european civilization, wiping out half of Europe’s total population. This was a quiet pervasion of death - an invisible pathogen carried by herds of tired rats. This plague triggered a series of social and economic upheavals with profound effects on the history of medieval Europe, guiding its survivors into the sort of self-inflicted darkness pictured by the Elder Bruegel. Looking back at this historical trajectory, Peter Burr, Mark Fingerhut, and Forma have created a spiraling inter-dimensional narrative aptly titled DESCENT - a meditation on one of humanity’s blackest hours. Taking the form of a desktop application, descent.exe gives the user a brief glimpse of a world descending into darkness - an unrelenting plague indifferent to the struggles of the user. There is a silver lining, however, tucked into the software’s final sweep. An equanimous watcher, reduced to a single eye, looks on as the plague of rats that has infested your desktop destroys itself.

Director

Peter Burr (b. 1980) is an artist from Brooklyn, NY. A master of computer animation with a gift for creating images and environments that hover on the boundary between abstraction and figuration, Burr has in recent years devoted himself to exploring the concept of an endlessly mutating labyrinth. His practice often engages with tools of the video game industry in the form of immersive cinematic artworks. These pieces have been presented internationally by various institutions including Documenta 14, Athens; MoMA PS1, New York; and The Barbican Centre, London.

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